Bollywood Interviews
Celebrity Interview: Preity Zinta
Jun 10th
By Devansh Patel, IndiaFM
What do you think about the music of Jhoom Barabar Jhoom?
The music of Jhoom Barabar Jhoom is outstanding. After a long time I have done a film where in every song is my favourite. There isn’t one song that I can’t say is my favourite. Right from the title track to any track all are very well done.
What do you think about Shankar Ehsaan Loy
Shankar Ehsaan Loy are my lucky music directors. They did the music for Dil Chahta hai, KANK, Kal Ho Na Ho. These are all films of mine in which the music has been outstanding and it’s really done well. It’s gone down well with the audiences and I think they have upped their quotient with Jhoom Barabar Jhoom because they are so good in this movie. The variety they have is so outstanding. I think that’s why they are three of them because each one contributes so much to the film and that gives us a whole picture.
Tell us something about your character in the film
I play Alvira Khan, who is from Lahore. Even though she’s from Lahore she refuses to accept the fact that she is a Pakistani living in London. She’s actually British and more British than the queen herself and that’s the fun part. There’s a lot of layering to her. She’s actually a very endearing sweet girl but she’s not this typical heroine with the salt on her nose. But she has this attitude and this image about herself. She is so into that image about herself that everything else dilutes the equation. She’s a lot of fun and quite mad. I think its one of my most mad and totally energetic and crazy characters that I have played till now.
What was it about the script that made you decide to do this film?
I think the madness in the script. It’s the only film when the script was narrated to me and I didn’t have any point to pick and say that is a problem. It’s very fast, it moves. Well it’s really funny and it’s got great humour. It’s got great back story, each character has a layer. More than anything else when you watch it and come outside you have this whole feeling like phew!! And that’s it!
What was it like working with Shaad Ali Sehgal
Shaad and I started our careers together. He assisted Mani Ratnam in Dil Se and I did Dil Se as my first film. He was an assistant director and I was working in that film. I think nine years down the line we come into a full circle now he’s directing this film and I am in it. I absolutely love Shaad and he’s one director very unassuming even if you joke about him and say he’s the only communist on the set. He also has this madness in him which translates into his cinema. You will see a mad streak in me, in Abhishek, in Lara and also in Bobby and that’s purely because Shaad has directed this film. If there was any other director you wouldn’t have seen that madness streak. I think he’s really relaxed and he’s like a sweet teddy bear with his psycho hair out.
Can you tell us something about your look in this film?
It’s the first time I am working with Aki Narula and it’s been a great pleasure working with him. He’s very talented. He’s this little guy but with a lot of talent. He is always open to ideas and ready to do something new since there is a lot of layering in my character. She is a very hoity toity character so we have a lot of changes. I must say he exceeded my expectations. When Aditya Chopra and Shaad told me that they were going to get Aki I was a little nervous because I had not worked with him before but I think he has done a fantastic job.
Any outfit in the film which you would like to wear even otherwise
All the outfits in the film are very wearable. They are not any filmi outfits that you can only wear it to work and you can’t wear it any where else. Actually I have two outfits in the film which Aki bought for the movie and I also bought it for myself. We didn’t know that and then we ended up having the same outfit. So I had this one dress which is a puffed up ball dress which I wear and the other one is this navy blue tight fitted little dress with a red bow on it so I have two of them.
What was it like working in a multi starrer film?
I started my career with Bobby he was my first co-star, so this film has been quite an emotional journey in a sweet way because I worked with both Shaad and Bobby nine year’s ago. Abhishek is psychotic he’s crazy and I love working with him. Lara again I have never worked with but she’s a very sweet girl and very hard working. We got along very well. I think when you see the film you realize how well all of us got along because there is positivity in the film. There is a Jhoom equation which is happening so I hope everybody had the same experience I had working in a multi starrer.
And about Mr. Bachchan what can you say about him, he is like God and I just love him.
Are you comfortable doing glamorous roles like these
As an actor I would want variety in my career, in my life and off course variety is the spice. In KANK I play a much more serious and much more sober, a little bit more groomed and older character. In Jhoom Barabar Jhoom it’s more fun, it’s younger and of course it’s glamorous. Thanks to Shaad and Adi and thanks to Aki Narula who makes such great costumes.
Any memorable incident during the shoot of the film
We were shooting this dance sequence and it was the first day of the shoot and everyone was really excited. We were like yes we are going to go for it. I was dancing and suddenly I felt this piercing pain in my foot and I looked down, Lara who is 5 ft 8inches tall was wearing a five inches heel that dug into my foot and made a hole in my foot. I went like ahhhhhhhh. And then just when I was recovering from it and I got rid of the stitches and I was getting ready to go on set again, Bobby put his ‘Punjab da haath’ and whacked my face. So I remember falling off and seeing the plane, train and the submarine together. I think leaving this aside whatever happened we had such a blast. I think this is the first time in my career after we shot a song we were just tired and we wanted to go home. The director Shaad just put the track again and besides the actors everyone else started dancing and they danced and danced and danced and I was looking at them.
Is true love real or fantasy according to you?
Love is always real and true love is even more real. I think love is romantic
On working with Vaibhavi as a choreographer.
I think Vaibhavi has done an amazing job. I haven’t danced so much for very long time. I am dancing so much. It’s a bit conceited for us to say we did this and that, I think it’s for the people to say I saw the bits of one song and it’s really well choreographed and it’s very in sync with the film. Vaibhavi is exceptionally talented and she’s very chilled out.
Popularity: 8% [?]
Celebrity Interview: Bobby Deol
Jun 10th
By Devansh Patel, IndiaFM
What you think about the music of Jhoom Barabar Jhoom
The music of Jhoom Barabar Jhoom is rocking its very nice. It’s the second time I am working with Shankar Ehsaan Loy. They have always been different in their sound in whichever film they have done. Jhoom Barabar Jhoom is completely different from what they have done earlier. The movie is directed by Shaad who has his own mad side to him and he gets that out in his music as well. He has his sense of humor which everyone has seen in his earlier films and because it’s a musical film the situations are handled with songs. The songs are amazing especially the title track Jhoom Barabar Jhoom which is going to rock this year. I am not saying so because it’s my film but it’s just such a great song. Even the promo brings out the energy of the film because this film is completely over the top. It is a romantic comedy and it deals with all situations and of course the music plays a very important part.
Which is your favourite track?
I think all of them are required for the situation they have been used for. All of them are great but the faster version of Jhoom was quite a killer because we were dancing to it. My favourite song is the title track of Jhoom. I think all the songs are good but more close to me is the song Kiss of Love because it’s my song.
On Vaibhavi Merchant as the choreographer.
I call Vaibahavi Chinku, that’s how I have known her right from the time she was assisting Rekhaji and Chinniji during Gupt. At that time she was a very shy girl but now she’s a completely different person but the same at heart. She’s a wonderful person and I really get along well with her. I am working with her for the third time now but this time we really worked hard for a film for all the songs. She was amazing not just giving great moments or dance steps but also getting the emotions right with the steps. That’s very important for us all especially when you are playing a character which is very different
Can you tell us a bit about your character in the film?
Usually I do get roles which are always more connected to Punjab because I am from Punjab. My character is of this guy called Steve who is half British half Punjabi. I think when I heard the script it felt like as if the character was written with me in mind because it has a lot of similarities. It made it easy but then at the same time it gets more difficult because it’s so you. You have to be slightly different in different ways but it was good fun.
What was it like working with Shaad Ali Sehgal?
He makes things so easy. He’s a cool dude he gets along with everybody. He mingles with the whole unit and I think I believe in that because I love coming to my work and not just sitting in one corner and having an attitude. I like to mingle and get to know everyone so that when you are working it’s a very friendly environment. So I think that really made us all gel together and it was fun.
What was it like shooting in London?
I shot in London and we were there for quite a few days and it was good fun. After a long time I have actually shot for a film where everybody knew what was going to happen on which day. So there were days off in the middle which was really required for anyone and everyone working. You had your own time off in London so it was good fun.
What was it like working in a multi star cast film?
I think the star cast was ruled by Aquarians because Abhishek, Preity and I are all Aquarians. So I guess they all love each other. Abhishek and I worked for the first time together and it was good fun. I have known him since he was a kid and we have always got along well. He and I started work so it was very chilled out. I call Preity Pritam Singh, she did her first film with me and we go a long way back from even before she started working. With Lara I have done quite a few films so everybody knew each other so well. So it was like really comfortable and everybody has done a great job, everybody was totally into the script and into their work.
What was your reaction when you first read the script? What made you decide to do this film?
When I read the script I felt like the role was written for me. Even Adi said that to me even before he mentioned the subject to me. I was like let me hear the script because there are so many people in the film. Then when I heard it I was like dude it’s a great role. I mean I didn’t expect to hear a great role and then I read the script and it was such a funny script, when you are reading it you start laughing. That’s what every script should be. Everybody has worked hard and it’s been written really well. When we were shooting the scenes and when we were doing the workshops everything was just falling in its place. So it’s a very well written film.
What was it like working with Aki Narula who has created the look for the film?
The look is very important because it’s a musical and music plays a very important part and there were a lot of clothes required. The character that I am playing is of this really big lawyer who’s one of the big shots there and required an Anglo British kind of feel. This is the first time I am working with Aki and he is very creative, very talented. I mean he has given us the clothes which I would love to wear but it’s like a little over the top. They were really amazing they just went so well with the characters. The clothes said what they were and that’s how it should always be. The clothes spoke and made it so comfortable for the character to come across in a right way.
What according to you was the highlight of shooting for Jhoom Barabar Jhoom?
It was more like a big picnic though we worked really hard. We shot the title track for twenty five days in a row and that was like non stop work being done. We were dancing the whole day. But the thing is because we got along so well we really enjoyed doing everything. The script and the music were so good everybody just enjoyed being on sets. And that really was one of the most unique things of doing the film.
Any memorable or unusual incident that comes to mind during the shoot of the film?
The shoot schedule was very hectic and I fell ill while I was shooting for the climax song of the film. I think the work got to me because I was working everyday and before this I was shooting for some other film. I have never ever fallen ill and had to cancel work. Luckily the last day when I was feeling the worst (health wise) I didn’t realize it and I finished the film shooting. I had one more day to go but to my luck that day the shoot got postponed for the next day for some technical reason and I got a days break and was feeling ok to work the next day.
This is your first Yash Raj film? What was the experience like?
They are such an organized company. Their production house is completely equipped and there is not a single stone left unturned to get the best .The songs were shot in London with so much emphasis on the look and the sets were so well done. Also we were very well looked after.
What is the first thing that comes to your mind when you hear the word Jhoom Barabar Jhoom
The first thing that comes to my mind is madness, crazy people, over the top. It’s a moment where you are on a different planet all together. It’s about love where your emotions run wild.
Popularity: 8% [?]
Celebrity Interview: Sunny Deol
Jun 10th
By Faridoon Shahryar, IndiaFMWell if his Dad was known for kutte kameene?Ma ka dudh piya hai to? kinda dialogues, the son is still associated with Ye Dhai Kilo Ka Haath Jab Padta Hai Na?To Aadmi Uthta Nahin Hai?Uth Jaata Hai?Meet Sunny Deol, the media shy star who continues to be a bankable actor at the ticket window after twenty five years in the movie business. And that too in the lead role. First up, his thoughts on the famous dialogue from Damini where he had a power packed supporting role. ?Those films were written well. Dialogues were good. They went with the character and that’s why they are remembered again and again. People give me references of it. But it’s been a long time that we haven’t had that kind of writing,? Sunny said in an exclusive interview with IndiaFM on the terrace of Sunny Super Sound Studio overlooking the calm evening sea.
There’s a lot of buzz surrounding the Deols these days. In Anil Sharma’s Apne, Dharmendra, Sunny and Bobby shall share screen space for the first time. While Sunny had a release in Ahmed Khan’s Fool N Final last week, kid bro Bobby is looking forward to a turnaround in his career with films like Jhoom Baraabar Jhoom, Naqaab and more around the corner. Of course Dhamendra’s kiss-on-the-sly with Nafisa Ali in Life in a? Metro has been a talking point.
The Music Launch of Apne was one of the biggest events in the film industry in the recent times with thespian Dilip Kumar, eternal style icon Dev Anand gracing the occasion along with Salman Khan, Govinda, the three Deols, Shilpa Shetty, Katrina Kaif etc. ?Dad came in the industry always dreaming about Dilip (Kumar) Sahab. He was his icon. Dilip Sahab was the person Dad adored. Dev (Anand) Sahab was another gentleman with whom he interacted when he first came to Bombay. So, we thought that it’s (Apne) his film and it would give him great honour if they would be there. And that’s why they came. And Papa and Dev Sahab have interacted so much over the years. They have a bond and love for each other that I doubt actors can only dream of,? Sunny said.
You said in an interview recently that your dad’s fans have passed on to you and Bobby. And Dharamji had replied to your statement by saying that you were being generous when you said that. ?When we talk about star sons, we do get an easy launch. But there’s a lot of responsibility. It also depends on how good you are. So, obviously the fans which were there for my dad have rubbed on to us because they thought we are worthy of it.? The Deol family has always had a huge fan base in Punjab. ?It is not just Punjab. The kind of love and affection I get all over the country is the same. Punjab is our hometown, that’s why the respect and love is unbelievable.? Has Apne been shot in Punjab? ?Apne is based in Punjab. It travels to America. Some portions have also been shot in Bangkok but it’s not shown as Bangkok.?
Talking about Apne? can you share its story idea? ?It’s difficult to talk about the story. You can’t describe the whole film in a few words. All I can say is that it’s a bonding film. It’s a family film, family values. It has got a lot of entertaining elements and there are some nice choreographed boxing sequences in the film.? Why did it take so long for the three Deols to come together? ?We’ve been wanting this thing to happen for years and years. But unfortunately we couldn’t get the right script. We didn’t want to do a thing where three stars are there, sell it and don’t worry about the content of the film. We were not getting the right script. We had nearly given up till Sharmaji came up and narrated us the idea. From there were took it up and within a year we finished the film and now we are talking about it.? And why the title Apne? ?That’s what suits the subject. No other reason,? Sunny says.
You’ve delivered one of the biggest hits of Hindi cinema Gadar with Anil Sharma. How do you look back at that landmark film in your career? ?When I had heard the script I had loved it and we went ahead and shot it. We had no inclination what’s gonna happen. We knew it will be a successful film but we never knew that it will be such a successful film. Anything that is successful happens because of the team. When everyone does his bit right then you do hit the bull’s eye.? Music of Gadar was super hit. Music of Apne also seems to be melodious unlike Himesh Reshammiya’s brand of dhinchak music. ?Title song is my favourite. It reminds me of Sandese Aate Hain? there is emotion? the wordings, the melody? it hits the core in your heart basically??
At an Aids awareness function in Delhi a few days ago Shilpa Shetty made headlines worldwide when she was kissed by Richard Gere. Sunny was present at that function. Incidentally Shilpa is paired opposite Sunny in Apne. ?Shilpa is making news. That’s good because it’s very important to be in news these days. Besides that she is a good person. We have worked in a couple of films. She is a nice actress as well,? Sunny said. And does he recall being paired with Bobby for the first time in Dillagi? ?Dillagi was a film I directed with Bobby. I think Bobby had done a great role in that film. Obviously he is my younger brother and at times I do treat him like my son. But Apne is different emotion, different relation. Dad is there, bonding of father son is there. It is do with real life characters. It’s not goody goody film. It has son fighting with his father, brother can have a fight with brother. These things happen in real life.?
Alright? let’s talk about Ahmed Khan’s Fool N Final for a change now. ?We had great fun making the film. Feroze make films with lots of characters? and I am one of them. I’m sure people will like it.? Mr Feroze Nadiadwala said that you performed unbelievable stunts in the film. ?We do so many stunts but it doesn’t make a difference to me as we keep on doing them so many times. I’m a little daring guy. This is how I am since childhood. I wouldn’t advice others to do it. Basically it is coordination and confidence. Obviously everything is dangerous but that’s life.? Shahid in an interview to us addressed you as Sunny Sir. ?That’s because he is younger to me. And that’s the respect one should give to your seniors. It’s very sweet of him,? Sunny said with a smile.
The evening was settling down into a quite relaxing dusk while the sea seemed within a touching distance. It was pleasant to watch a normally reticent Sunny Deol looking fresh and relaxed answering all our questions sportingly. And as he whizzed past in his stylish Mercedes (driving himself), the look of wonder on the faces of a few labourers standing by was hard to miss. Obviously the common man thinks highly of him. And in this multiplex era, it’s these common folks who can still make a star a rock star. So, will Apne do the trick for Sunny Deol? Come June 29th? and you shall get to know.
Popularity: 8% [?]
Celebrity Interview: Katrina Kaif
Mar 17th
By IndiaFM News Bureau
The beautiful Lakme model made a bumpy Bollywood debut with Kaizad Gustad’s Boom. However, her upcoming comic flick Namastey London seems to be a promising act. In conversation with IndiaFM, Katrina Kaif comments on shooting with a heart-warming cast and crew in her very own hometown – London!
What is the title ‘Namastey London’ trying to say?
It’s a good question. I have not thought about it actually. I think it is obviously just trying to say in a line, behind the difference in the film between the two cultures, it is trying to bridge that gap. I think may be that’s what it is trying to say. Everyone keeps on saying Salaam Namastey and London Namastey and London Salaam mixing it all, and they have been getting it confused. So I keep having to say no its Namastey London.
I thought it was great. Initially I was a little bit nervous but then I just thought it’s going to be such a fun character to play. There is so much freedom in the character and there are no restrictions. The girl, Jasmeet Singh, was from London so was I. There was also a lot of me that I thought I will be able to portray and show in this film. So that was a really nice experience to be able to do that.
Would you go shop or eat with Akshay between shoots?
No. Akshay was always busy, he always doing ten things at one time. So not really and my sisters are there. Three of my sisters are there in London. So just after pack up, we would go park ourselves in a restaurant and eat food and enjoy and we really had fun. Now that I am back in Mumbai I am missing them. So yes, we had a nice time. Everyday after the pack up my sisters and I would go to this nice Japanese restaurant and we would sit and eat and eat!
You did Humko Deewana Kar Gaye with Akshay Kumar. Now you are doing the second film with him. How do you think the audience will react this time?
I felt I mean to be fair there were some mixed reviews for Humko Deewana Kar Gaye. There was a lot of appreciation and there were some other criticisms. But in this film I really hope that people unanimously like the characters. This is the film were the characters have a scope to be liked. I really enjoyed performing in the scenes because I guess I thought I can relate to certain things of the character and I just hope to that comes through.
Do you think Namastey London takes any influence from the film Purab Aur Pachim? Even that film shows the transition of an actor from UK to India. Have you seen Purab Pachim?
Yes, of course. I think there is about 10% of the soul… may be, you know content of that film. But it is not based on that film. It’s a completely, entirely different story. People definitely shouldn’t go expecting that, otherwise we will be in trouble. The transition from UK to India is done in a different way which you have to see in the film. My character is not an English chick who just comes to India and becomes an Indian housewife, that’s not what the film is about. So you have to see Namastey London. I mean my favorite portion of the film is when Akshay and my character meet in Punjab and I like the kind of scenes that went on at that portion- that’s definitely my favorite part.
Have you been to Punjab earlier?
Yes I have. I have done a lot of shows and during my traveling with modeling, in a fashion shows I have gone to all interiors of India. I went to so many places.
How was it working with Akshay this time around?
He is a great actor and a person who I have really seen change and work so hard over the years. He has unwavering concentration when he gives a shot, and that also forces your concentration to be on the same level. He is a very jovial person. He also keeps that light energy going; there is nothing too heavy or depressing.
And what is your take on the music of the film?
I like the music of film. I think it portrays the spirit of the film very well. May be someone can say okay but you didn’t pitcturised the songs like this and you didn’t do that. But it is exactly the feel and the spirit of film and the music should not take away the concentration of what the story is about.
Your favorite song in the film…
There was a song which was not picturised in the film called Aanan Faanan. Musically to listen to it, I really like that song.
Have you seen any of Vipul Shah’s earlier works?
I’ve seen Waqt and funnily enough when I saw Waq I remember saying to myself and I told Vipul also later when I became friends with him, that when I saw the promos I was not interested to see the film at all. And when I saw the film I remember actually being physically shocked at how much I really liked it! I really liked the film and I found the film so enjoyable that it came as a big shock to me. You can make judgments on people and things without knowing the story behind it. So that was really nice to know since it was Akshay in the film. I liked him the most in Waqt from any films of his films which I have seen in terms of his role, his character, and performance. So I guess that also gave me lots of confidence because I genuinely like the way he dealt with the film and he also comes from a theatre background which also gives you a little bit of extra training in terms of the importance of the script. It is not just about shooting scenes because you are sitting in London in a fancy location.
Okay and we have got today in the newspaper saying that you are ready to come in new age cinema…
No. Someone asked me “Are you going to do art cinema, or small films, you know offbeat films?” So I said “What are offbeat films and small films?” Films are good films or bad films that’s what I said. I think the person didn’t understand what I said. What is a small film, is it a film that is not appreciated and not seen? A judgment of a film should not be the box office report. It should be was it a good film or was it a bad film. May be people didn’t want to see it that time but it should be judged on its own merit. I don’t think we should classify the honours of cinema.
On the skirt controversy in the dargah… Wasn’t it distressing? How did you tackle it?
It was distressing because I realize that people actually felt may be I was being very insensitive and offending somebody when we had no intention. It was probably such an innocent mistake. Obviously you feel a little bad because they were very questioning me, saying things like she was just being obnoxious or so something. It was a genuine mistake and I think the committee was gracious enough to accept the apology after that.
How do you look at the experience of doing a film like Boom, as an actor?
I guess everybody starts at different stages and everybody has different paths in life that they take and I think I have said as much as I can about that film.
There is lots of speculation about your relationship with Salman Khan. How do you feel like when the question is constantly raised?
No I don’t think that the question of my relationship with Salman is too appropriate for today. So I think I’ll skip it for another day.
What are your future projects?
Well, there is Anil Sharma’s film Apne, and then there is a film called Partner coming and Welcome and a film with Abbas-Mustan. It should be releasing towards the end of the year hopefully.
Finally what is the USP of Namastey London? Why should we watch it?
I think that after a long time we have seen a film like this about very definitive clash between an NRI girl and an Indian boy. And I think it has been done in a very light hearted, fun way. You should definitely go and see the film and whatever people would say and if you don’t want to see the film, you can’t force anyone. But whoever goes to see the film would definitely feel satisfied that it was enjoyable. It is not a film where you are going to say “Ok it is too long” or “what they are going on about?” It is almost like watching an English film in terms of the pace at which it moves. So I am happy with that.
Popularity: 9% [?]
Celebrity Interview: Amitabh Bachchan
Mar 13th
By Subhash K. Jha, Indo-Asian News Service
Mumbai, March 12 (IANS) Amitabh Bachchan is glad that audiences have understood and appreciated Ram Gopal Varma’s “Nishabd”, where the protagonist falls in love with his daughter’s teenaged friend, even though it sparked off an ethical debate.
“I’m happy to see I’ve been appreciated. I did it because it was challenging. I’m happy audiences understood what the film is really about. That’s contrary to how some people in the film trade saw it from the outset … not a single person has disliked it. I’ve got positive feedback from weird places,” Amitabh told IANS in an interview.
The veteran actor pointed out that “Nishabd” was shot in a remote location, away from crowds, which enabled him to perform well. He also stressed that Varma gave ample space to all his artistes.
“There were no crowds, no phones, no connection with the rest of the world. It was just us and the project. It was the silence that stimulated creativity.”
Excerpts from the interview:
A. I’m happy to see I’ve been appreciated. I did it because it was challenging. I’m happy audiences understood what the film is really about. That’s contrary to how some people in the film trade saw it from the outset. Ramu now feels the projection of the film’s publicity was wrong. But not a single person has disliked it. I’ve got positive feedback from weird places.
The point of the film is what does a man in that situation (of falling for a much younger girl) do? It’s not about how can he or why did he? I think the ethical speculation is a hypocritical excuse for puerile thoughts. Some people have challenged the wisdom of the character …as though wisdom and age are inherently linked together. They’re not! Wisdom doesn’t come automatically with age.
Q. You’ve once again stunned audiences in “Nishabd”.
A. Given an opportunity and a competent director, it’s possible. One reason why it happened was because we went to a remote place and shot the film at a stretch. There were no crowds, no phones, no connection with the rest of the world. It was just us and the project. It was the silence that stimulated creativity. We’ve forgotten the value of silences.
The moment the camera goes on, the actor craves for solitude. Most of the time we’re so crowded we don’t do our best work. Everything came together in “Nishabd”. I just love the time that Ramu gave to my close-up after my character asks the girl to leave. Ramu just lets the moment linger on. He gives space to all artistes.
Q. Like “Black”, your performance in “Nishabd” is born without reference points.
A. Sanjay Leela Bhansali (“Black” director) gave me huge moments of space. Sometimes during shooting the film ran out or the video monitor broke down. But he didn’t stop me. He just allowed me to keep going. At the end of the shot he’d ask me to do it again. Not once did he rush me. I could easily make out when Sanjay was happy and when he was very happy. I was never content with him just being happy.
I remember one sequence where the girl Michelle says ‘mother’ for the first time and my character sits at the water fountain and starts talking …Sanjay had the camera very close to me. I asked him to take the camera back. Suddenly I didn’t feel crowded while breaking down. Sometimes you get very conscious when dozens of people are watching you. Suddenly when the camera and the unit move back you get the physical space to let your true emotions come out. I felt these true emotions come out in “Black” and “Nishabd”.
Q. Would you say these two are your finest films in recent times?
A. I’m fortunate such roles are coming my way. These two films gave me the opportunity to delve into the darker areas of my personality. Some of my forthcoming films also give me that opportunity.
Popularity: 8% [?]
Celebrity Interview: Aishwarya Rai
Nov 29th
By IndiaFM News Bureau
We hear you are playing a negative role in Dhoom 2, what was it like and what was the rationale behind taking on this role with negative shades.
Firstly all the talk on a lot of aspects of Dhoom and my character in the film. I guess assumptions are fine, because it definitely keeps the curiosity picking and the audience out there wondering, how much truth there is to it, so I am wondering whether at this point in time I should shed more light or let the audience go discover for themselves in the theatres. Speculation has been aplenty right from the time we starting filming, so it’s all a lot of assumptions. Slating or slotting the characters already I don’t think should be done, because I will not define my character as negative or positive for that matter because she’s a live wire in the film and with a character that’s just typically her, when you discover Sunehri you will find that she’s just a singular individual, it will take you a while to even figure her out and that was the idea in the way we agreed that I perform her, where you will not be able to slot her, she completely throws you. It was definitely exciting for me to discover and deliver Sunehri simply because in a given scene, while having relatively regular pieces of conversation within that its layered, in a single moment she’s striking a conversation, in a single moment she exudes excitement, almost hero worship to Mr A, in the next second she’s turning on an attitude and challenging him, almost reckoning to be an equal, so in that sense, just like Mr A takes the audience a while to figure out, so does Sunehri. So thereby when I say performing Sunehri was defined in my mind, this is what I mean by etching her out, that there were so many little little aspects that it felt very important in creating her in terms of content apart from of course the visual impact and that is something all the characters we all definitely focused on, as something we brought to the table as a team from director down to the stylist.
A couple of them, as would go with an action film and with safety first being the mantra always in every film set and that isn’t anything new, its common knowledge, within the film fraternity as well as the audience. But nevertheless a lot of the work was something that we as a team of actors and technicians did push ourselves for, to experience the adrenaline rush first person because that’s what makes it super exciting in terms of what you deliver and also in terms of what the audience gets to actually experience on screen when they see the artist/ actor in person, pushing themselves beyond the norm. The high point probably was actually at Orabi Gorge, where we had the jump, there’s this one moment where Hrithik’s character Aryan challenges Sunehri, (that’s me) in the film to jump, given the premise of the scene which when you see you will enjoy it, and she takes a beat and goes for it and so does he and you see a glimpse of that in the promos. That was a trip, it was an absolute high, and never in my life have I experienced just literally jumping off the edge, I had to actually do that, of course they looked after our safety, and there is a bungee that we are connected to in person as well, even in the moment on screen, but to actually do this literally just jumping straight foot first like off a diving board, was fantastic. Even when you are actually hauled up, just after a take, when you’ve spent it out there, it was, quite a moment for both Hrithik and me, because just next us, there was a trickle of a waterfall so we were actually seeing the water drops just literally going down in reality what visually we refer to as slow motion, literally the drops were going down forever.
This is your first film with Hrithik and Bipasha, how was the experience of working with them?
Superlative, I mean it really has been fantastic, fun just like the rest of the team, be it Abhishek, Uday, I think the fact that the 3 of them have known each other since childhood, they constantly share their anecdotes which just make you feel that you belong to those bunch of kids who went to those Birthday parties, or hung out in their schooling years, you just felt that you were part of the inner circle, because it was so wonderful to see them spontaneously and at the most unexpected moments, have a recollection and relive it, made you feel you were there as well and the brief moments that I got to share with Bipasha, I must say she’s a real cool girl, and I am glad we are a team on this film, all of us, because the camaraderie was genuine, the spirit was fab and the energy was about being team players, and that’s something that everybody brought to the table very professionally while on the job and aside it just kept the energy what it should be, on a film like this, very naturally. So we had a blast while making the film, solely zeroing on my specific co-star for the film, that is my pair that’s Hrithik, like he himself was saying that its great that he also had eased up a lot and he says that generally, not just from this film, we had a world tour and a commercial together and I guess both of us had been psyched by perception about being extremely professional, being very detailed, almost obsessive about our work, each of us had been told that about the other, but when we have worked together, I can safely say that, I think that’s a given. In any committed passionate professional would be that detailed for what they bring to the job, and I relate to that, so I don’t think there’s any need to make much ado about it. It’s fairly natural to work that hard or be that much of a perfectionist on the job.
What do you think of the music of Dhoom 2 as compared to Dhoom?
I would never make comparisons, because the fact is that Dhoom was a super success and it was a signature tune at that point in time, in every club, car, bikes, a raging success, and I am glad that Dhoom 2 was received with equal if not more responsive. It has been superlative again and very very positive, and I think it was very clever, to have the first promo go on air with KANK, it was very gratifying for the whole team to have received such a tremendous response, where the audience was already in Dhoom 2 while watching the movie! This is something we heard in first person, we all received it on text and as a team we were overjoyed. It was very very good to know that people were so looking forward to this film, with so much anticipation, we’ve had a blast making it, so we can’t wait to share it with our audiences.
Did you watch Dhoom and what did you think of the film?
It’s evident that because at that point it was definitely a cluster breaker. The identity is youth but I take it as just going by the success, they become family experiences that kids enjoy, parents go the entire family goes and they just have a good time, and you come away with an adrenaline rush. I sincerely believe that age is a state of the mind, even 20 years later I will say this. And everybody has been there done that or has aspired to be there do that and have all these experiences in person, if not, cinema is the perfect dream world, the closest thing to experiencing any moment in person. So it was good to know that Dhoom was well embraced, so when approached with the idea of Dhoom 2 touted as a sequel, but I always call it yet it is a brilliant idea, and Adi knew what he was doing when he came up with this idea, going by the response. We were very very happy to be on team, its really funny, how 20,000 ideas fly around within the team of course, about the next Dhoom and the next Dhoom, and the next Dhoom, so it obviously a very clever franchise. At the end of the day it’s a fab experience for the team as well as for the audiences. It’s like college will always be an experience everybody cherishes and the pulse and pace of this movie, is one that is universally enjoyed.
You have so many releases coming up, what makes Dhoom 2 special?
It’s definitely a first in my career and it’s interesting it’s happened in the 10th year of my film career. Of course that’s by choice, its not a moment if I may say so, a moment I have been waiting for to happen to me, in the sense that there have been offers to do roles in the western mode but I have been very choosy, very evident in the choice of films that I have done and made so far. This was a tough offer to resist, because I thought it was perfect, if this was what I wanted to bring on board, this was the perfect premise to do so. So in terms of playing an out and out westernized character, so obviously youth oriented and trendsetting, so obviously fashionable and fun, but at the same time racy, evidently hot and super cool, this was the perfect premise to do so, so yes I chose to project the way I never have before on this film, because I felt it seemed so natural and at ease and it went with the language of the film. If you do find Sunehri sexy at every given point, Sunehri just is, she isn’t someone who is working to turn it on in every frame, unless she needs to as a character, while interacting with another character. So I thought it was great where, wearing shorts or short skirts, dressing a certain way was just natural to the character, it wasn’t about trying to work it on celluloid. I don’t need to resort to tactics, to get attention, thank you very much, I have more than my fair share of it even in my saris! It’s not something I needed to explore for the sake of the apparent, it was a definite character created, and it’s just the language of the entire film and of all the characters. We have shot in Rio, where it was only natural to be dressed a certain way, we have shot in South Africa, yes also in Mumbai, but while interacting with the characters it’s all a natural progression of the celluloid theme. Hence the comfort level.
What was the best moment during the course of shooting the film?
The film as a whole, but like I say apart from the part of the absolute thrill of working on celluloid, I must confess, I thoroughly enjoyed the team, I enjoyed the gang, off-screen as well, because like I just shared with you earlier, that it was so nice that everybody was just being, it was the whole team. There were a lot of laughs, a lot of fun. There has been a lot of talk about the fitness regime, something that I only explored very honestly for a month to 5 weeks before we started the film, then it has only been my schedules throughout the last year, my different films I ‘ve been working on, I didn’t get a chance really focus on the fitness. So for all the talk in the media, this is the truth, it was just 4-5 weeks last year before we started. Then after making Guru, both Abhishek and me had to put on weight for Mani’s film, so we resumed the schedule, I suggested we take Deepika ( the fitness instructor) with us because we were doing the action part of the film, and whatever little bit we could do, which was barely 2 weeks, while filming, but the fun part was that everybody would be in the gym, I mean everybody not just the actors. And it was fun because while we would all try to get into a bit of a routine, I think we were just having so much fun hanging around, that we’d be just about that sincere and then the next plan to go out to dinner, which we would all do very happily and try and hold on to the myths that if I gorge now it will show 20 days later, so that we are on safe turf, it was like a college /road trip, I’d say this film, where while we were working in all sincerity but it was all so much fun, on set and after hours. I think that is by far the best memory the best is everything about D2 is fabulous while making it, but I think we’ve come away being really good friends, time and tide will be able to define the strength of the friendship but nevertheless it definitely went beyond being co-stars, and its something that I really cherish and hold dear to my heart.
How did you enjoy shooting on location in South Africa and a message for your fans there?
South Africa incidentally has a home turf kind of significance in my life, because yes, I did win my title in Sun City of Johannesburg, and I have been there a couple of times, not that often, but a couple of times, my work took me back there, to Cape Town to film Dil Ka Rishta extensively which was again a family experience, so my memories are very very warm, and people have been extremely loving and its something that a lot of my film fraternity really cherish and enjoy with the people of South Africa. Even the year I was giving up the title, when Amitji was on board the panel of the jury, at the pageant, it was overwhelming to see the strength with which our people had descended to Sun City and the applause that he was rendered just took the entire pageant’s breath away because it was so good to see, and such an awakening to the rest of the world to recognize, how passionate our people are about our cinema, and the members of our film fraternity, and the love that they are so generous with. Hence I personally share a very warm bond with our audience out there and I can just extend a heartfelt thank you, for their love and blessings and good wishes all through my career and it was great fun now coming back there and shooting for Dhoom 2, a fun experience for us and again with a lot of very fond memories, I am glad that every time I have come there and worked or filmed, or participated in a pageant, I have come away with super success and a lot of love and great memories, so I guess that’s a good sign.
Did you do any kind of special preparation for this role?
Like I said one was the visual was very imperative, as a pre- requisite, its something we as a team agreed we definitely would work on, as I do work on every film, here it zeroed in on the physical appearance in terms of fitness, and it was a body language and a body type that I hadn’t brought to celluloid before, and since I was going to dress a certain way, I needed to just be the person who wore those clothes, very naturally and not because it was an element of worked on excitement, I am glad that it has turned out exciting, that wasn’t the reason for the costume. People who have well toned bodies as we look around, naturally dress a certain way, when you’ve really worked on your midriff you see that they are happy to wear shorter tops, when you have worked on your legs, they naturally wear short skirts, not because they need to show their legs but they feel natural and comfortable in it. So that was a body type that I was determined to work on, and I was very glad to discover that the first time in my life that I have got down to working out, my body responds very quickly and its very reassuring to know that, so with a little bit of focused time and work it was good to know that we can achieve it, and bring that on board. In terms of the styling, working with Anaita, whom I worked with several times in my career specially in my modeling world, or in the fashion magazine assignments, we’ve worked many times before, so she knows me, my body type, my aesthetics, my comfort, and so we worked on it together very easily and she’s done a fantastic job, because that’s what again people right from on the set and now the audience have begun to identify. The clothing feels like me, it feels natural even if it means seeing me for the first time in the western mould. It doesn’t seem uncomfortable, it doesn’t seem unnatural, and that’s something Anaita knows about me, so we worked on it together and arrived at Sunehri. We decided that we would go with a different hand in terms of makeup and hair styling because that again would bring a newness to board, so I worked with Subbu who also I have known from my advertising, and modeling experience, though this was the first film we were working on together. So we did one day of a look shoot as in a test with my dear friend Farooque and once we arrived at Sunehri, there she was bang on ready to go on set. Obviously the final verdict is the nod from Adi, it was fun to arrive at her in terms of the visual. In terms of preparation to characterization, we were clear again as a team as I said before that we would create a character, while we knew that the visual would be the initial head turner, we needed to create someone who would be, specifically a character from this franchise. Also it has worked out really well, fortunately or coincidentally that currently I am having so many different releases, Umrao Jaan, Dhoom 2 and Guru, and ahead there’s Provoked and Last Legion, it’s great that not only visually we have arrived at a specific character, but also in terms of her mannerisms her personality is very very specific and can be identified as someone who belongs solely to this film.
What next? Can we expect to see you doing some more action films in the international front?
Well I started in fact just pre Dhoom 2 I made Last Legion, which was definitely action not contemporary though and I experienced sword fighting and I am a warrior in that film, so I completed that movie before I started Dhoom, so that would technically be my first experience in the action genre, but it wasn’t in the contemporary times, so I am glad that within the year, between last year and now, I have actually got through and tasted action spectrum in Roman times and contemporary biker times and its been a lot of fun, its been a huge adrenaline rush, exactly what I was looking forward to and like I tease I have tasted blood, I can’t wait to have more such experiences because they are really fulfilling and it’s a rush that can’t be explained, but it’s a definite high, that’s the most fantastic part of our job, because we get to experience which probably people just think or dream about, and irrespective of what point in time of your life, to what space you are physically in, where you are, it could from the ridiculous to the superlative in excitement, but the fact is we get to experience life through our film making and I think that’s a blessing.
Popularity: 9% [?]
Celebrity Interview: Hrithik Roshan
Nov 29th
By IndiaFM News Bureau
You saw him rock in Krrish and now be ready to watch him set the screen on fire once again in this year’s most exciting film Dhoom 2. Hrithik Roshan talks about his experiences on working on the most awaited film of the year.
Did you watch Dhoom and what did you think about the film?
Of course I have watched Dhoom and the success of Dhoom creates a very good platform that obviously motivates a sequel, but what really propelled me into doing the film, was the inherent script of Dhoom 2 itself. So that really was my calling card. It was exactly what I was looking for at that time and space. Because I was actually quite bored and stuck at that one end of the spectrum where I was doing this blatant good boy, good son, good brother, good lover kind of role. Though of course they are also quite enjoyable but it was time to take the big leap towards the other end of the spectrum. And what was waiting for me there was Mr A … Aryan, so I am really glad that I got the opportunity..
Did the negative shade to your role excite you?
Everyone’s been talking about your many disguises in the film, without giving anything away, how did it feel to get into so many disguises to con people?
The makeup experts that they brought in from London were truly people with a magic wand. They completely transformed me into other human beings and I cannot express how much fun and how exciting it was to live and be and project another completely different human being that particular day, or days of those shoots. I had the time of my life.
You are stepping into John Abraham’s character which was extremely popular, is that a challenge?
I think every film is a challenge, though Aryan’s character does fit the space of the villain that John’s role was in Dhoom, but its got nothing to do with it whatsoever, it’s a completely different world and I would say that if we’ve gone a notch higher with Dhoom 2, its not satisfying enough, it needs to be 10 notches higher for it to actually make a mark, and that’s what I am hoping for.
What are the kinds of stunts you have done in the film, and how did you prepare for it?
I have done everything in this film that anyone can aspire to do in an action film, be it sand boarding, snow boarding, sky diving, train walking, jumping off a cliff, bikes, cars, everything that you can think of. So I don’t think there’s anything left, I think Dhoom 2 has got it all.
I had no idea what was waiting for me once I was preparing to get into Dhoom 2 and what I realized was that what I had done for Krrish was nothing in comparison. It was asking a lot more of me, so yes of course there was 3 months of roller blading training which I think is the most difficult sport to pick up, and the most dangerous, cause if you fall, you most definitely break a bone. I have never given 3 months of my time, to any training, 3 months just for one sequence, then of course there was snow boarding for which I flew to Dubai and trained myself there in an indoor snow mountain that they have created very fantastically. Then there was walking on the train doing stunts, on and off the train, sand boarding, behind the train, I was actually hooked on to a rope that I was holding onto with my bare palm, with a train at a speed of 60 kms per hour and I was on a sand boarding just skimming behind it on this sand and a little falter here and there and what I would land on was the tracks and at that speed to land on and graze the tracks would spell nothing less than … yes, I have taken a few tumbles and scraped through near death experiences, but came out feeling most exhilarated and alive ever. So it’s been a great experience.
What was it like working with Aishwarya and Bipasha for the first time?
It was a pleasure to work with Aishwarya because she is one of the actresses who thinks about the entirety of the film and not concerned with just her close up or make up or what she is doing in isolation. So its great, to work with actors like that. Her talent is definitely much beyond her looks and her beauty. So it’s been inspiring, engrossing, exciting its been a whole lot of fun. Bipasha is just so casual to be with, you know she is just herself and she’s got no airs and is really easy to be with though I’ve got no scenes with her in the film, but there was a this schedule in Brazil, I think every film you know has this one particular schedule where that becomes memorable because that’s the one in which you all bond, so the Brazil trip while we were there for over a month in Rio, we all bonded. Because of a bit of problems Abhishek, Aishwarya, Bipasha, Uday and I had a lot of time together, so it was great, just walking on the beach, swimming in the ocean. Imagine, Abhishek, Aishwarya, Bipasha, Uday and myself in our costumes swimming in the seas of Rio with not a care in the world because nobody knew us there, was absolutely, phenomenally exhilarating, it was a whole load of fun.
What do you think of the music of Dhoom 2 and how does it compare to music of Dhoom?
As I said again, it’s definitely notches higher but how the audience takes it in is something we have to wait and see, personally I think its one of the greatest music albums in the year and it should definitely make a mark even visually its very stunning. The songs that I have done with Shiamak and Vaibhavi are both tracks that I am very proud of. I have not done many of those in my lifetime, though there is this whole myth of me being this dancing phenomena, but I have not had many dance tracks to my credit. But in this case, I have to and I am very happy with both of them.
You have a very different look in the film. Tell us a little about it.
I really want to say one thing about the look and that is that the true hero of this film is Anaita because what she has done for this film is truly representative of the kind of film Dhoom 2 needs to be. She has brought out the best of every character; especially with Aryan. I think she has outdone herself and for me, it’s been such an exciting leap to just be that grungy relaxed easy going but reflective, very calculating, dexterous agile kind of a person, and the clothes really have helped to bring out and project those aspects of Aryan. He is very proficient in what he does and he is an expert but he’s an individual, and lives like the way he wants to live. It’s almost like he puts 2-3 things together and because its coming out of an individual space, it looks stylish, coz he’s creating his individuality out there. I think that’s what style is about, when you wear and put things together that makes you feel more of yourself, I think that’s what creates an individual outlook and that’s what makes you stand apart from the crowd because it’s individual and not because you are following some kind of trend or fashion verdict. So that’s what Anaita has done and I just left myself completely to her and trusted her completely and what she has done to the film is absolutely outstanding.
You have been part of a successful sequel like Krrish, why do you think it worked and why do you think Dhoom 2 will work as a sequel?
I don’t think sequels work, or films of a certain kind work, I think what works is basically good films and bad films don’t. So if Dhoom 2 is a good sequel, if it’s a good film, which I think it is and not resting on the laurels of Dhoom, by itself it should be a film which should have been made even if there was no Dhoom, and I think that was what worked with Krrish because, it was not resting on the success of Koi Mil Gaya. It took on from there but became a completely different world by itself, and should have been made a film by itself even if there was no Koi Mil Gaya. So this is what sequels should be about, they should not rest on laurels of the previous hit, and that is what Dhoom 2 hopefully will do.
Last time you and Abhishek came together on screen you were friends. This time you are foes, which one is better and why?
We are always friends, Abhishek and I have grown up together and we wish the best for each other. Even working in this film with him, has definitely made me decide one thing, that once in every 2 years I definitely want to do a film with him, because working with him has been very fulfilling, as in he’s a good person and he radiates that, and I am a person who works without any egos and so is Abhishek. He gives his best when he is within a shot and he is all for the scene to work in its entirety and there is a lot of give and take. I love that, love working with actors who go beyond wanting to be the best, wanting to give the best so that the entirety of the scene comes out as the best. So he will think, as much for me as for himself and visa versa, so that is something that I enjoy doing, because it really creates a bond and you actually enjoy the process of putting the film together, which is what your life is actually made up of its those moments that you live for a year or two. How much time do you spend watching the success or the reaction to a films release, a day or two or three but what your life is actually about is the process of actually making these films, and what’s important is to enjoy those moments and I really think that working with Abhishek was one of the most fulfilling journeys of my career.
How was the experience of shooting in South Africa, do you have a message for your fans there?
I love South Africa, its been one of my favourite countries of the world. Also the people there I believe what makes a place beautiful is its people and that rings very true for South Africa. Whenever I went there they are very humble people and very helpful. They respect your space. I have been there on and off and always looked forward to going back to South Africa.
What according to you was the best moment during the shooting of this film?
That’s very hard to say, I don’t think its about one moment or two moments, there were so many, the point is to have a fulfilling day, every time you come back home you should feel fulfilled and that is something that I got out of Dhoom 2 a lot of. I think its one of the most enjoyable films that I have done and I know people say this for every film, but this truly is something that I have reflected on, and have been surprised by my own attachment to this film, because it was supposed to be the joyride and something that I wanted to do for fun because I was doing all these serious cinema films, I wanted to do just something just out of the world and completely let myself out there and have some fun, but it became something that I really got attached with and really discovered depth to it and really enjoyed myself projecting Aryan’s persona.
Uday and Abhishek are childhood friends so what was it like working with them?
Since I have already spoken about Abhishek, I will talk about Uday. Uday and me go back a really really long way. We have done everything together, name it, and the last thing that I thought we would be doing together is facing the camera, so we’ve had a laugh chatting about that fact. Right from the second standard he and I have been together in every single thing that we have done, if there was something that I learnt, he has learnt and if there was something that he was learning, I joined him, whether its karate, computer classes, college, school, tuition, sports everything. So doing a film with him was just an extension of that and really had a great time. He’s a great guy and I wish the best for him. Not many people realize the talent that Uday possesses but me being an actor, that I am and with as much experience and knowledge that I have I think Uday has tremendous potential and its just waiting to come out and prove to the world. It’s already proved a lot with Dhoom, but I think it’s going to go ballistic with Dhoom 2 because he’s done an outstanding job in this film.
What according to you can the audiences look forward to in Dhoom 2?
Its like the words of the song, ‘Dhoom again and come away with me on a rollercoaster ride, so strap yourselves up and get ready for the ride of your life, that’s what Dhoom 2 is about, its to the point, its fast, its exhilarating, it’ll keep you at the edge of your seat, you will not know what has hit you, its one of those popcorn thrillers, so come one, come all, and expect the world!
Popularity: 9% [?]
Celebrity Interview: Riteish Deshmukh
Nov 14th
By IndiaFM News Bureau
Riteish is all set to surprise the audiences by his three different looks in Sangeeth Sivan’s Apna Sapna Money Money(ASMM). He plays a con man in the film. According to Riteish this was a difficult and unique experience for him. Riteish shares his experience with IndiaFM.
Tell us something about your character.
My character’s name is Kishan. He is a con artist from Goa. It’s about how he becomes seventy year old Nepali man to sort out his friend’s love life. He plays a role of classical dancer then he becomes a girl. It’s also about Anupam Kher who falls in love with this girl. ASMM is an extremely funny film and I had fun doing these four different roles.
Actor Chunky Pandey said that he fell in love with you, when he saw you in a girl’s get up. Tell us about something about that.
There was a survey conducted by a tabloid, where your girly look was compared to a television actress Shweta Tiwari. what is your take on that?
I don’t know about such survey but I feel sad for Shweta Tiwari. Unfortunately, they were comparing me with her. But as long as one is playing a character and plays an important role in the movie then look is very important. It was quite difficult to play a woman and equally time consuming. We all are quite ok with it, so let’s see how people react to it.
If you lose your lottery ticket on the set of ASMM, whom would you suspect first?
I think Chunky, because he is lost and found department of our film.
Give five reasons for why Ritiesh Deshmukh loves acting and not keen on joining politics.
First, I enjoy my work and never thought of joining politics. I get to dance, do comedy and action and I get to be around the prettiest chics that we have. Again you get awards for what you do. And last you travel the world at the producers cost.
Popularity: 8% [?]
I’m a girl rooted to Indian culture: Aishwarya Rai
Nov 7th
By Subhash K. Jha, Indo-Asian News Service
Mumbai, (IANS) Bollywood’s glamour icon Aishwarya Rai, whose much discussed “Umrao Jaan” has just been released, calls herself a contemporary woman who can go back to “another era” any time.
“If I may say so, I’m equipped to go back to that era of elegant dancing because I’m a girl very rooted to Indian culture. I’m teased that I belong to some other era,” Aishwarya told IANS in an interview.
She says her cinematic experiences like “Devdas”, “Umrao Jaan” and the yet to be released “Guru” allow her to go back to another era.
“I just want to thank my directors for providing me opportunities in such rare genres. It doesn’t come often in these times. So I feel good about it. All creative people are hungry for such experiences.”
Aishwarya, who has learnt classical dance, also commented on the dance sequences in the eponymous film centred on 19th century courtesan Umrao: “To know how to dance is one thing. But to get the finer nuances of a mujra, down to its smothered energy and expressions of restrained poignancy, is very, very difficult. Vaibhavi Merchant and I got together after ‘Kajra re’. She knows kathak. She brought the classical element into the dances.”
Q: “Umrao Jaan” takes you back to the elegant kotha culture; it takes Aishwarya Rai’s elegance to recreate that culture.
A: That’s quite a compliment. I just want to thank my directors for providing me opportunities in such rare genres. It doesn’t come often in these times. So I feel good about it. All creative people are hungry for such experiences, eager to come away enriched from doing films like “Devdas”, “Raincoat”, “Umrao Jaan”, “Dhoom 2″ and “Guru”. I guess I’m blessed.
Q: Isn’t this Abhishek Bachchan’s first costume drama?
A: Yes “Umrao Jaan” is his first costume drama. But I’ve done another beautiful costume drama earlier – “Devdas”. If I may say so, I’m equipped to go back to that era of elegant dancing and old-world culture because I’m a girl very rooted to Indian culture.
I mean the sari is my most favourite apparel in the world. I’m teased that I belong to some other era. But at the end of the day, I am a contemporary woman of the world. It’s cinematic experiences such as “Devdas”, “Umrao Jaan” and “Guru” that give me the privilege of going back to another era.
Q: Please explain.
A: You know we communicate mostly in English. The Hindi we speak is hybridised. Being a south Indian, people like Rekhaji and me have worked very hard at brushing up our Hindi. But Urdu, which is such a beautiful language, is totally alien to me and to most of us in ‘Umrao Jaan’, including J.P. saab, we were all tremendously aided by J.P. saab’s father O.P. Dutta saab. To have a director like J.P. saab, who’s perceived as a task master, was a blessing.
Q: He’s known to be a tyrant on the sets.
A: You think Sanjay Bhansali is any less of a tyrant on the sets? Any director who’s passionate about his work will be perceived as a tyrant. Whatever the decibel at which a committed director instructs his actors, he wants his point made across. It’s the teacher-pupil relationship. There’re different kinds of teachers in school.
I’ve worked with all kinds of directors from Sanjay to J.P. saab to Aditya Chopra to Subhash Ghai. They’re all known to be passionate in their own way. Why, even Karan Johar, whom I haven’t worked with, is known to fly off the handle on the sets. And don’t forget Mani Ratnam. My God! He’s my first director (in “Iruvar”). And now I’ve worked with him again in “Guru”. Of course, he’s known to lose his cool.
Q: But there’s a story about how Dutta cut your costume in a fit of rage.
A: Now let’s not make a mountain out of a molehill. I don’t get rattled by the passionate declarations and discussions on the sets. There’s nothing that a conversation cannot solve. There might have been a day when J.P. saab got rattled. If he did, he was very sweet about it afterwards. I’m not egoistic about these things.
The entire team on “Umrao Jaan” or “Dhoom 2″ and “Guru” are committed to their work. And I’m as passionate about my work as the director. You’ve known me very closely. You’ve seen how I lose track of time when I get involved with a film. Sleep, food… all are forgotten.
Q: You’re uncomfortable with the higher notes.
A: That’s the way I am in real life. You won’t find me screaming in real life or on screen. Of course, I’ve gone through a spectrum of emotions with Sanjay Bhansali. “Hum Dil De Chuke Sanam” and “Devdas” had high points of drama. That’s where you mould your talents to every genre.
Q: Did you enjoy doing the mujra in “Umrao Jaan”?
A: To know how to dance is one thing. But to get the finer nuances of a mujra, down to its smothered energy and expressions of restrained poignancy, is very difficult. Vaibhavi Merchant and I got together after “Kajra re”. She knows Kathak. She brought the classical element into the dances. Along with her choreography there was a huge contribution by J.P. saab.
After three rehearsals he’d suddenly bring in changes and I’d be like, ‘Okaaay.’ The mujras in “Umrao Jaan” required myriad expressions in one sweep. J.P. saab had a three-camera set up. He operated one of them. So I had to give different expressions into different cameras. By far this was the most challenging film for its dancing.
Q: And Abhishek?
A: He was the veteran of the unit, having worked with J.P. saab twice before. Shabanaji, me … we were all the babies.
Q: Abhishek thinks “Umrao Jaan” is your best performance.
A: That’s very generous of him. Me? I can’t assess myself. There’re films and roles that I’ve thoroughly enjoyed. “Umrao Jaan” is one of them.
Popularity: 9% [?]
Celebrity Interview: Akshay Kumar
Oct 23rd
By IndiaFM News Bureau
Jaane-E-Mann appears like one crazy ride
Jaane-E-Mann is all about a triangle love story between a dude and a nerd. Salman is the dude. I play the nerd. Priety Zinta is the girl we both fall in love with. The movie starts from 1970s and goes ahead another 15 years in the film. I have three kinds of looks in the film. This nerd who was in college eventually becomes an astronaut in NASA. How his love story takes shape forms the crux of Jaan-e-mann.
How would you define your character in the film?
Definition I have already given. Like I said earlier, I play a nerd. It was quite difficult to do that. It was not an easy job to be playing a person rejected by every woman, who does not have a date with him. Something like this never happened to me, so it was quite a difficult job to play a character like this. I managed it, thanks to my director who had confidence in me and also to the producer who believed I could perform this very heavy duty and difficult role.
Priety, yes this is my second film. I started with Sangharsh. It was the film where I started taking acting seriously. It was a film where I took acting as a real profession. Earlier I used to act to earn money. But with Sangharsh things changed. Me and Preity have both evolved and turned out in different ways. She has gone ahead and has become a very great actor. She got all the support from Karan Johar, Aditya Chopra. She belongs from that school and I am still waiting to get admission in that school. I fondly call her Basanti because she keeps on talking all the time. She has a lot of things to talk about. Any topic you give her, she has a lot of things to say. I really enjoy working with her.
Salman is a great co-actor. We enjoy working with each other and I feel we share a great chemistry together on screen. People liked us in our first movie and will like us again here.
Anupam Kher has a complete make over. He plays a dwarf. What do you have to say about that?
Yes he is playing a dwarf. It was a very hard role for him. Not only to enact but it was physically very hard to play a dwarf as all throughout he had to walk on his knees wearing green colored socks so that they could graphically remove the leg. It was quite a difficult task to walk on the knees and even dance and say your lines and even remember your lines. Hats off to Anupam Kher, he has done it brilliantly. I was amazed as to how he could do it and how he could perform it.
Tell us about Shirish Kunder
Very rarely you come across with a new director who is a genius. Shirish is a genius. The way he has conceived the film is extra ordinary. I would proudly say that this man with this film is going to change the level of Indian cinema. He is going to bring it to the next level. So I am very proud of being a part of Jaan-E-Mann.
Did you help him editing the film?
No he himself is a very good editor. He did not require my help. I don’t think so he needed my assistance.
You now seem to be Sajid Nadiadwala’s new lucky mascot. Mujhse Shaadi Karogi, now Jaan-E-Mann and you are also doing Hey Baby for him. What do you feel?
Me and Sajid are basically school friends. We go back a long way. He was my senior in Don Bosco. From there I never thought I would one day come in this line and one day meet Sajid Nadiadwala and he would make a film with me called Waqt Hamara Hai. Then we had a little break, we did not work with each other for at least about 9 years. After that we started Mujhse Shaadi Karogi. It was great and I am glad that we started working again.
Tell us about the music of Jaan-E-Mann.
Music is doing very well. It has some different kind of music. It has got Ajnabee which is a different song from the routine Hindi songs. It has been done in a very different way. The orchestra is different. The song has been recorded in Chennai with some different technicians coming and recording with the help of Anu Malik who is the music director of the film. There was a lot of input from Shirish while recording the songs.
So Ajnabee is your favorite track?
Yes Ajnabee is my favorite track.
What would be the USP of Jaan-E-Mann?
In Mujhse Shaadi Karogi, Salman and I made people laugh. This time we will make people cry. The USP would be me and Salman coming together again. The USP also is the characters we both play in the film. It is from two different aspects of life. One is a rock star and one is a nerd. Both coming together, having a love story in between for the beautiful girl Preity. This complete package is the USP of the film.
You started of as an action hero, and now you are considered one of the finest actors for romantic leads and comic leads. A conscious decision or just happened?
Well I was actually bored being labeled as just an action hero. So I decided that I need a change. I desperately need it. It was a risky job to switch over because if one actor is labeled in one particular genre then it becomes really difficult to switch over. But I succeeded. A lot of people told me not to try it since everything was going well for me but I was very fortunate to come out of it and get into something different from my image.
Will we see you soon in an action movie?
Yes, definitely yes. I will be doing an action movie very soon. I do want to make a very hi-fi action movie and dedicate that film to my son.
Don is releasing with Jaan-E-Mann. Any sense of competition?
Well Don is a different kind of film. Jaan-E-Mann is different. Don is already a hit concept. It has a lot of action and is different genre from Jaan-E-Mann. So there is no competition from each other. Both the films are releasing during the festive season. So I don’t see any point having competition.
What is your expectation from Jaan-E-Mann?
I am expecting quite a lot from Jaan-E-Mann for a simple reason. I earlier told you about the USP of the film, the look of the film, that producer Sajid has left no stones unturned to make the movie look beautiful. We have a good product and I am very confident of this film.
One of the publications said something about you and Nana Patekar. An alleged fight was mentioned. Could you clarify?
There is nothing to clarify because there is nothing that happened there.
Your future projects
Bhagam Bhaag, Namaste London are the two movies which will be my next releases.
You did an album sometime back. Will you take singing as a profession?
No. I did that for a good cause. I am not a good singer at all. I just did it because the song was in my mind and I wanted to bring it ahead and put it in front of the world what is there in my mind. It is not an album but just one song that I sang. The whole album belongs to Sukhbir. He has done the music and his father has sung it.
Will Akshay Kumar produce or direct a film?
No. I just want to be happy.
Popularity: 8% [?]
Celebrity Interview: Anupam Kher
Oct 23rd
By IndiaFM News Bureau
Anupam Kher is one of the most versatile actors of Hindi Cinema. This man has always tried out new roles and now, he is all set to appear in a very different character in Sajid Nadiadwala’s forthcoming film Jaan-E-Mann. He plays a dwarf, which has been one of the most challenging roles he has played. Anupam Kher speaks to IndiaFM about his role about his forthcoming film Jaan-E-Mann.
Jaan-E-Mann looks rich and appealing
Jaan-E-Mann is a love story. But what makes it unique and unusual is its interpretation by the director. I like the way Shirish has conceived it. I think for thousands of years the stories have been similar but it is the director and creative team of the film that brings a certain amount of freshness. And Shirish brings in a completely different interpretation in the way he has conceived the film. It is just great.
You play a dwarf character in the film. Tell us more about your role in the film.
What interested you to play this character?
What interested me is the fact the he is a dwarf and from the last 70 years of Hindi cinema this is for the first time that any actor played a dwarf. While in Tamil cinema Mr. Kamal Hasan has done it, he played a circus joker. But this person is not a joker. Instead, he is a normal person except that he is a dwarf. So, I wanted to be the first actor in history of Hindi cinema to play a dwarf.
As you said, it would have been more agile if you would have done it 20 years before. It seems this character is physically taxing for you.
It was very painful. When you have to be on your knees all the time, do dances standing on knees, sometimes even tying the legs to keep your balance is not so easy; you have to be a gymnast. But sometimes but you have to act out such characters as well. I am not over playing my commitment to the character or to cinema. It was surely difficult I can’t deny that but the result is fascinating.
Did you undergo any preparations for it?
Of course you can’t play the dwarf without preparation. First of all, if you are reduced to half your size, your whole gestures become small. You can reduce your height by bending on your knees and tying shoes on your knees but you can’t cut your hands. You don’t have to work only on your look but also a dwarf man’s psyche. You have to understand how he thinks, how he reacts and how he behaves. It has to work on both these levels. I am a serious actor, I take acting seriously. I have an acting school and I feel my students should be inspired by their teacher or their principal. They should feel that their mentor is an actor who they can look up to. That is why it is important that my choice of characters or roles should be good. That’s the reason why I have tried out different types of roles. Whether it is a Khosla Ka Ghosla a film like Jaan-E-Mann or Vivaah or Apna Sapna Money Money, I have played various characters and then on the top of all is Maine Gandhi Ko Nahi Maara. So, you have to reinvent yourself as a person, as a director and as an actor.
Jaan-E-Mann is Shirish’s first film as director, so how was the experience of working with him?
Jaan-E-Mann is what it is because of the director. Of course Sajid Nadiadwala played an important role to make his dream come true and let Shirish execute the film the way he wanted to. But surely, Shirish’s interpretation of the film and the characters is very unique. He doesn’t talk much but whatever he wants to show he shows in his work. Whether it is the interpretation of the role or the songs or the way he has put this story together for the audiences. It surely is the genre of Hindi commercial film but the way he had executed it is completely different and I am very happy and proud to be part of this project.
What about your other co-stars?
Well I have worked with Salman, Preity and Akshay in many films before. They are joy to work with. I have more scenes with Salman. He is a dear co-actor to work with. He has a good sense of humor. He has a casual but concrete approach towards his work and towards his characters. Same goes with Akshay. I have no scenes with Preity in this film. I had scenes only with Salman and Akshay. During the scenes, all of us were relaxed and enjoyed because unless all of us are relaxed on screen, audience won’t enjoy our performance.
How is your association with Sajid Nadiadwala?
I earlier did Sajid’s films like Waqt Humara Hai and Judwaa and now I am doing this film with him. Sajid is a very fine producer a very magnanimous producer too. He has a great sense of humor. He was very much involved with the script and execution work as well. It is a joy to have a producer like him.
Tell us something about the music of this film
I love its music. Of course my favorite song is ‘Jaane ke Jaane Naa’ I love that song and I am dancing in that song with my legs tied. I think children are going to relate to my character because I have done TV shows with children and they like me. So, this will be something different for them. It’s my tribute to children that come and enjoy Anupam uncle this way. Coming back to the music, the love song ‘Humko Maalum Hai’ is also very beautiful. In fact, all the songs are very good. I think the soundtrack of the film is really fascinating and I must again say that Anu is a great composer but Shirish has also made a lot of contribution. Sudeep Chaterjee’s cinematography is also good. I think every aspect of this film is good, I haven’t seen the complete film as an end product but I have seen all this in a dubbing theatre.
What is the USP of this film?
I think it’s one of the finest films of this year. It’s entertaining, it will make you laugh, it will make you cry and it has fantastic performances. It has a great music. It has a dwarf and it has lavishness. It has joy and it has everything that viewers want in a film. Besides, it is larger than life.
What is your expectation from this film?
I think it will be a super hit.
You are one of the most versatile actors of Hindi cinema and have played a wide range of roles over the years. Is there any specific character that you have not played and would like to play in future?
If you ask this question to me even when I’m 90, I will say there are hundred more character I could’ve have done. There is no full stop for an actor, he is always hungry. Besides, I feel I am very lucky. God has been kind to me that I have been able to get the roles that I wanted.
Popularity: 8% [?]
Celebrity Interview: Priyanka Chopra
Oct 23rd
By Subhash K. Jha, Indo-Asian News Service
Mumbai, Oct 22 (IANS) Priyanka seems to share a strange affinity with F-X films in Bollywood. First “Krrish”, which introduced a new spectrum of special effects in Hindi films, and now “Don” where the F-X according to her is “top of the line”.
Priyanka told IANS in an interview: “I got lots of offers. But I haven’t signed anything except Goldie Behl’s ‘Drona’ with Abhishek Bachchan. Like ‘Krrish’, ‘Don’ and ‘Love Story 2050′, this one too will have loads of special effects.
“I’m very excited about it. It’s going to be like a comic book on screen.
And after ‘Bluffmaster’, I get to work with Abhishek again. He’s quite mad.”
In “Love Story 2050″ Rs.600 million is being reportedly set aside for a special effects spectacle.
Priyanka, who has just returned from Adelaide after shooting for Harry Baweja’s “Love Story 2050″, is tired but as spirited as ever.
“The Australian premier and his wife had come to wish us luck and they both made an appearance in the film just like that. We shot for a month-and-a-half there.
She brightened up at the memory of the Australian sojourn.
“I really enjoyed myself. The first-half, which is based in Australia, is done. Now, we move to the second-half in November. I’m very excited about this because a futuristic sci-fi film, and that too on this scale, has never been done in our cinema.”
She cuts down all comparisons with “Krrish”.
“They’re two entirely different films. ‘Krrish’ was about a superhero in the present. ‘Love Story 2050′ is about a normal guy going into the future. This has never been done before. It gives a lot of performing scope to Harman, and even to me. It’s his baby. And I’m doing my first double role. I move into two time spectrums.”
Priyanka’s styling is a special treat in “Love Story 2050″.
“Styling is important. Earlier, I wasn’t so finicky about styling, though I was never careless. But I realise looking good is all-important for a leading lady.”
She’s all praise for her co-star Harman Baweja’s professionalism.
“I’m his senior career-wise. But he knows much more about cinema than I do. Don’t forget, he has been assisting his dad for some years. He became a producer at 21. He’s far more knowledgeable about cinema than I am. In fact, I took a lot of technical advice and learnt about camera angles from Harman.”
Right now Priyanka is nervous hell about “Don”.
“It’s a very different character. To try and step into Zeenat Aman’s shoes is scary. I didn’t even try to fit into her shoes. I instead made my own shoes. I play a tough chick. Doing all my stunts was fun and challenging. We tried to give a very different look to my character Roma.”
She’s all praise for Shah Rukh Khan and her director Farhan Akhtar.
“Farhan knew exactly what he wanted, and how to get it. He’d let me say and do what I wanted to. But at the same time he kept a tight check on proceedings. As for Shah Rukh – I’ve been his fan forever.
“So, you can imagine what it was like working with him. He’s one of the most unselfish co-stars I’ve ever worked with. He makes you so comfortable. He puts the film above everything else. Just watching him at work is a treat. Some of your co-stars can be very selfish on the sets. And that’s sad. Shah Rukh realises that the film needs to work before a performance can.”
She disagrees that there’s more competition among women.
“Even the male co-stars are very competitive. I’ve only one scene with Kareena Kapoor in ‘Don’. Our interaction in ‘Aitraaz’ was different. Here she is doing a special appearance for us. That was sweet of her. And she’s done a fantastic job.”
Priyanka sees how crucial “Don” is to her career.
“If you’re trying to make me more nervous you’re doing a very good job of it. Look, no one can replace Zeenatji. I haven’t even tried. I did it my way.”
She’s waiting for the release of “Don” before signing anything new.
More assignments?
“The right assignments haven’t come my way. The past year has been turbulent. Now everything is getting back to normal. I want ‘Don’ to be seen not as an attempt to be one up on the earlier ‘Don’. But a tribute.”
Popularity: 9% [?]
Celebrity Interview: Aishwarya Rai
Oct 13th
By IndiaFM News Bureau
Umrao Jaan was not an easy performance for Aishwarya Rai, who has essayed the same role which was played by veteran actress Rekha. Aishwarya is all set to surprise the audience through her latest film. She spoke to IndiaFM about her experience while shooting the movie and more.
Umrao Jaan must have been emotionally as well as physically taxing for you.
This is an emotional journey that follows an entire arch. It goes through all the possible emotions that being a woman you would understand. This emotional journey can be very demanding and draining but at the same time, it’s a catharsis. It was a wonderful experience to get the opportunity to actually go through the arch of emotions. This provided the perfect experience for an actor as I keep repeating myself to get the opportunity to do precisely that. Working with the director like J P Saab has made that process absolutely satisfying, inspiring, challenging and forcing me to deliver possibly my best with every moment on set.
Its just sheer joy for me personally and for the actor in me because I personally enjoy music and dance. I had always been greedy as a member of the film industry and to get an opportunity to work with this very special combination of J P Dutta, Javed Akhtar and Anu Malik is amazing. Their music is beautiful and extremely memorable. Every moment of performing these songs was fulfilling. Probably the media or audience would expect seven-eight item songs but for Anu Malik each song is part of the narrative. It’s a part of her journey and that’s the way he has treated these songs.
Can you tell us any experience that touched your heart?
Umrao Jaan is a courtesan and a performer, not just a dancer but a poetess as well. She performs her poetry in the form of dance. It is literally from her soul and through her experience on every stage and to pick any one experience is very difficult because the entire art from her first performance to her journey of life is touching.
How did you prepare yourself for Umrao Jaan?
It was a study on set. I’ll be very honest as I didn’t get the chance because of my crazy schedules. I have learned many things on the set under the guidance of OP Dutta, JP Dutta and off course Javed Saab. They have made my work conveniently smooth and I have to thanks them immensely. As you all know that we tend to speak in English most often and our generation is not smooth in such a beautiful language like Urdu. Though we are not fluent in that language, I thoroughly enjoyed the mouthing of dialogues in this film because I had the opportunity to explore that world and their language.
How was it working with J P Dutta?
It’s like a blessing in my career. I had some great opportunities to essay such incredible characters on screen as an actor. It’s a very special experience and a great opportunity to play a character like Umrao Jaan, who has already become an icon in our cinema. I have been through this area of questioning even when I was essaying Paro in Devdas. All my sincere thanks to Sanjay Leela Bhansali, who conveyed the story to today’s audience. Whenever a story is told or retold it is the interpretation of that director, cinema finds its audience.
How do you react when you are compared with the previous Umrao Jaan, Rekha?
As a performer, she is inspiring. It’s not only Umrao Jaan but her entire career and characters that she essayed through her performances that are extremely inspiring. In terms of my performance in the film, I am very clear that when I am acting in a movie I am interpreting my director’s vision. I have said this even during Devdas when I was performing Paro. It’s all about how the director sees the character and how he wants me to perform onscreen in the story. I was inspired by her performances before but I just can’t simply be copying or aping her. There is no meaning in remaking the cinema then.
How was the whole experience like?
It was a pleasure. I would like to thank him for giving me the honor of learning so much under him as a student. I have tried under his sincerity, guidance, under his knocking and breaking down. But to become a mirror of her journey all the way to realizing Umrao Jaan on celluloid was a great experience.
It was a privilege to have incredible company like Shabana Azmi, Suniel Shetty and Abhishek Bachchan. Mr. O P Dutta made me break down several times by telling me those sensitive incidents. I couldn’t have asked for a better role to essay than this celluloid. Javed Saab made gave me songs with the most soulful lyrics. Emoting has come naturally with his lyrics. It’s an honour to be part of this project.
Popularity: 8% [?]
Celebrity Interview: Vishal Dadlani
Oct 11th
Welcome to the new rhythm that is driving the nation crazy – ‘Hoo Haa India’. And if you are wondering what are Vishal-Shekhar doing apart from making cricket promotional tracks, then read on. Because for next year or so, you would hear them in not less than 6 biggies, that doesn’t include their album with Abhishek Bachchan, which they tout as the biggest of all.Over to Vishal Dadlani to hear from him about some exclusive details, especially about the music of Chota B album and ‘Honeymoon Travels Pvt. Ltd.’
‘Hoo Haa India’ – Is that going be the new anthem of the cricket crazy nation?
Yup, hope so. I believe we have been able to get a new rhythm going, and a fairly good one so say!
But how did the project happen?
Well, we were paid good money by the agencies and we gave them a good track to chant! It was as simple as that. [Laughs]
Come on now, seriously what was the driving factor?
It happened like this. JWD, the ad agency, approached us and wanted us to compose a track that could be used for the upcoming cricket series. The rhythm was something that they wanted to be cried out loud in the stadium while the matches were on. Obviously we were paid good money too [smiles] and everything seemed quite interesting to get going. Shiraz Bhattacharya, the man who plays drums for us, is the director of the music video that you currently see on air.
No, in fact ‘Aaya India’ has a lot many shades to it. It is about people, it is about families, it is about stuff we care about. It is like treating your nation as your mother.
Did you conceptualize the track from scratch?
No, in fact lyrics were sent to us by JWD themselves and what they demanded was to hear a rhythm on the lines of ‘Hoo Haa’! Then we roped in Sukhwinder Singh, who is one of our big favorites, to render the track. Now he is someone who brings in so many different textures to a composition. We did compose the track and later the singers came in. Apart from Sukhwinder there is Tara Baswani, a known name in the ad circles, who has sung the track.
So is the song ‘Aaya India’ mainly for the upcoming ICC Championship Trophy or beyond that?
See, to be very honest to you, I don’t have a faintest of clue about that. I don’t know if they would use it for Championship Trophy, take it till the World Cup 2007 or beyond that!
Fair enough. But Vishal, where are the movies? Long time since we heard from you?
And I would call it as a calm before the storm. There is so much of film music that you would hear from us in the coming months that you won’t be able to ignore us by any means!
And which are these films?
First to come would be Farhan Akhtar’s ‘Honeymoon Travels Pvt. Ltd.’ Then there is Arjun Rampal’s home production ‘I See You’. After that there is Yash Raj Films’ ‘Tara Rum Pum’. Anubhav Sinha’s ‘Cash’ and ‘Airport’ are in the pipeline too. And last but not the least; we come back with Sujoy again with his fantasy flick ‘Aladin’. This means that starting November, we would be practically there on a regular basis till mid-2007. Any complains now?
No, not at all. In fact one feels that you guys must have been over worked by now. Any plans to take rest?
Man, desperately! Our families are after us to take a vacation and we certainly are going to take one soon!
With so many films coming up, let’s talk about your nearest release ‘Honeymoon Travels Pvt. Ltd’ first.
Believe me; Reema Kagti [film's director] has made such a unique film. It is a concept so novel that you would be amazed to see it unfolding in front of you on screen. Even the music is dictated so much by characters and each time a song comes up, you realize that it is due to a situational placement.
Songs driven by characters? Is the music something on the lines of those heard in Sujoy’s films ['Jhankaar Beats', 'Home Delivery']?
Well, not exactly. See Reema and Sujoy are two different people and have different tastes when it comes to music. Each of them demand a different flavor and as composers we strive to give them exactly what they want. They have a different style of music placement in their films.
Coming back to ‘Honeymoon’, do you wish to elaborate on the music?
There is a lot of variety that you would hear there. There is one folksy club song which is really HUGE! Then there is one love song that goes completely filmy. A lovely pop-rock kind of song also finds a place in the album while one track is solely about a journey. Apart from this there are some more. Another special attraction is Shankar Mahadevan singing for us. Believe me there was so much of fun while composing the musical score of ‘Honeymoon’ and we thoroughly loved the outing.
Shankar Mahadevan singing for you? Now this is something new since he is composes with Ehsaan and Loy too?
Well, this is not exactly new, not something for us at least. You may remember Bappida sung for us in ‘Taxi No. 9211′! Then I have sung a couple of songs for Shankar too. So, it’s quite cool actually!
Talking of other composers/singers singing for you, you had also mentioned some time back that you would love to get Priyanka Chopra sing for an album. So is Priyanka Chopra going to be next Sunidhi Chauhan?
No! Not at all. In fact Priyanka Chopra is going to be another Priyanka Chopra. She won’t replace anyone since she will build an identity of her own. She is so unique.
But then why has that not happened so far?
Because she is not getting that push from inside her. Once she gets that push and she agrees, there will be no looking back for her. It is good that she has friends like Rohan [Sippy], Abhishek [Bachchan] and others who would convince her one day that she can be a rock star!
And how about the other actor turning singer – Abhishek Bachchan? Oh, that’s really happening well. The album is happening well and currently there is a lot of jamming happening. Mark my words, in comparison to all the other 5-6 albums that I mentioned in the start, the one that we are creating with Abhishek Bachchan would be most rocking of all. It is coming out so beautifully that we are eagerly waiting for it to be ready and up there on stands.
How is it progressing?
6 tracks have been completed and four more are on the way. And don’t ask me which genre the songs belong to because they don’t belong to a particular genre. Also, if you thought that ‘Right Here Right Now’ [Bluffmaster] was cool then you have to wait for this album to be out. You will have to find a new term to describe the feel.
And is dad Bachchan coming in too?
We hope so, and we are praying hard. We don’t have to really describe how big fans are we of Mr. Bachchan. We believe that he would be singing a track for us but then first we actually want it to happen before declaring it to the world.
With such a big album coming in, you must have already found a music label.
Seriously, this album is more of an art for us and we are not taking it as a commercial outing. We have not even thought on those lines though I can tell you that it will take a wide international release, something that has been rarely seen for a musical score from India.
What do you think of Vishal & Shekhar’s music? Comment below!
Popularity: 8% [?]
Celebrity Interview: Rekha
Oct 9th
By Subhash K. Jha, Indo-Asian News Service
Mumbai, Oct 8 (IANS) Rekha, one of the most versatile actresses in Bollywood, turns 51 Tuesday and says she has reached a stage where she can do justice to any role offered to her.
“For the past 10 years I’ve reached a stage where I could do justice to any role that came my way. It could be the role of a mother, sister-in-law, a negative or positive role. I’ve done it all with equal sincerity and passion,” Rekha told IANS.
The actress says she is fortunate as people notice her in the minutest of roles.
“I’m blessed because people notice me even if I appear at a function for two minutes. My appearance in ‘Krrish’ too is rather brief.
“Today I think I’m at the best stage of my life and career. No matter what I do, people are responsive and, to my good fortune, appreciative.”
Excerpts:
Q: Javed Akhtar thinks you’ve touched new chords in your performing prowess in “Krrish”?
A: What can I say? I’m really honoured and touched. He had felt the same way about me in “Lajja”. These days I’m lucky if I’m noticed for my roles. I just breeze in and breeze out on screen.
A: That’s how brief my appearances are both on and off screen. I’m blessed because people notice me even if I appear at a function for two minutes. My appearance in “Krrish” too is rather brief. Simiji (Garewal) saw the film and said she can’t bear to see me as a grandmother.
Q: That thought is unacceptable to me also.
A: You forget that I’m an actor. For the past 10 years I’ve reached a stage where I could do justice to any role that came my way. It could be the role of a mother, sister-in-law or a negative or positive role. I’ve done it all with equal sincerity and passion. I was asked why I did a negative role in “Khiladiyon Ka Khiladi” or soft porn like Basu Bhattacharya’s “Astha”? After “Astha” people had a lot to say about my role of a wife who moonlights as a prostitute. I don’t have problems playing anything.
Q: Why this democratic attitude for an actress known to be super-selective?
A: I was never selective. Nor do I believe any longer that I’m the chosen one. Nowadays I believe I’m one of the chosen ones because there’re so many others. You know being a character actor isn’t a blessing in India. Abroad even an actor like Al Pacino is treated like a character actor and given his rightful place.
Q: Aren’t you over-modest at times.
A: No no … too much importance has been given to my glamour, clothes … Today I think I’m at the best stage of my life and career. No matter what I do, people are responsive and, to my good fortune, appreciative. And I say this with utmost humility and sincerity. There’s nothing else I can do on this earth to earn a living except acting.
The fact is, and this will shock you, I don’t say no to any offer except when I feel the producer or director’s intentions aren’t honest and he’s just trying to fire the gun from my shoulders.
Q: I don’t believe you!
A: Come on, the fact that I did “Bachke Rehna Re Baba” is proof of what I’m saying. I do anything that comes my way because I’ve the confidence and belief in myself and my fans. We share a symbiotic relationship. I also share a similar relationship of give-and-take with my directors. Even my family has been embarrassed by some of my films.
Q: So do you think you haven’t been too fortunate with roles?
A: No. On the contrary, everything I’ve done has taken me higher. Everything that has happened in my life has been a blessing. I consider myself the most fortunate person I know. For me no film has been mediocre. It’s been my baby – whether handicapped or sick, you don’t reject your baby. I’ve nurtured them all.
Q: How did “Krrish” happen?
A: When Gudduji (Rakesh Roshan) called and said he’s doing a sequel to “Koi…Mil Gaya”, I immediately said yes. I was Hrithik Roshan’s mother in the first one so I had to be his character’s son’s grandmother – as simple as that. If I feel a film is right, then I don’t question anything about it – not even the script, though I must confess its a very important aspect of a film.
Q: You seem to trust your own judgement completely?
A: I’ve used my instincts so well and so continuously, I trust it completely.
Q: You and Rakesh Roshan go back a long way.
A: Yes. We do! He reminded me of how I had agreed to do “Khubsoorat” with him and how grateful he was. I told him, ‘I don’t remember you in that film’. All I remember is how Hrishida pampered me on the sets.
Q: Okay make a true confession.
A: I love my profession. It’s my first love, and that’s a true confession. Everything else came later. My profession has been totally true to me as long as I’ve been true to it. Every time I falter in a performance – dialogue, shot or look – I’ve come out with one positive lesson or another.
Popularity: 8% [?]
Celebrity Interview: Karan Johar
Oct 9th
Mumbai, (IANS) Indian filmmaker Karan Johar, who was one of the judges at the Miss World contest 2006 in Warsaw last weekend, says the resume of other panelists left his jaw “hanging down to the ground”.”It was a very different experience from judging an Indian beauty contest. My colleagues on the panel were people whom I absolutely didn’t know and they, I suspect, knew very little about who I was.
“During the course of the evening I came to know they were simply the crème de la crème in their fields. There was a British actress, Kelly Holmes, who was also an Olympian gold medalist, and also Anita Kreglicka, the only Miss World from Poland. And many others whose resume left my jaw hanging down to the ground,” Johar told IANS.
“In your own country you know where you stand on the celebrity ladder. On a global platform you’re quite lost,” laughed Johar.
Unlike the Indian beauty contests the judges at Miss World weren’t allowed to directly quiz the contestants.
“We simply did what we had been called to do – judge the contestants. Ms. Czech Republic Tatana Kucharova was a unanimous favourite. Of course, I thought Miss India Natasha Suri had a perfect figure, lovely smile and terrific personality. But somehow she didn’t make it into the list of favourites of all the other judges.
“I don’t feel at all disheartened by that. I feel our girls have come a long way at these beauty pageants. Who finally wins the crown depends on so many extrinsic as well as intrinsic factors. But I must say I’ve learnt a lot on that one night.”
“Yes. But when I actually arrived at the venue I felt more humble than proud. Nowadays you need to be more than just a Page 3 celebrity to judge beauty contestants. The judges were minds rather than just faces and that made me feel special.”
Johar is very much sure that he’s going back to Poland very soon.
“It seemed as if every second person in Warsaw had seen ‘Kabhi Khushi Kabhie Gham’ (K3G). They wanted to know where Shah Rukh Khan was. I went to a pub with a friend. And guess what? The deejay was playing ‘Shava shava’! It was unreal and absolutely reassuring. One more European base for Bollywood!”
Such is the craze for Shah Rukh and K3G in Poland that Johar has decided to rush-release “Kabhi Alvida Na Kehna” (KANK) in Warsaw.
“I’ll have my European distributor look into the Polish release as soon as the film opens in Germany next week.”
Popularity: 8% [?]
Celebrity Interview: Amitabh Bachchan
Oct 3rd
Mumbai, Oct 1 (IANS) Bollywood superstar Amitabh Bachchan, whose security cover was reduced recently, is not at all perturbed. He is also heartened at the growing recognition abroad for Indian cinema.In an exclusive interview with IANS the superstar said: “Governments do their own assessments. And their assessments say I don’t require security, or it needs to be scaled down. No problem. We’ve to go by their decision.”
On the professional front, Bachchan, who has just returned from the Toronto Film Festival, is happy. “To see Indian cinema getting this kind of recognition abroad is really quite fantastic.”
The superstar cannot make much of the “hullabaloo” over the remake of films. “Remakes are made all the time in the West. This is a free country, one can do what one wants, specially in the field of art. “Sholay” was a take on “The Magnificent Seven”, which itself was a remake of “Seven Samurai”.
Excerpts from the interview:
Q: To have your security personnel reduced so suddenly must be disconcerting..
A: Not at all. It was given by the state at their initiative. It has now been withdrawn at their initiative. I’ve nothing to say on this matter.
Q: Your supporters feel the withdrawing of security is a sign of insecurity on the part of the government.
A: Who are these supporters? I don’t know about them.
Q: But it’s obvious you’re more of a vulnerable target without those security arrangements.
A: Obviously the state doesn’t think so. They’ve their own committees making their assessments. And their assessments say I don’t require security, or it needs to be scaled down. No problem. We’ve to go by their decision.
Q: You’ve just returned after a long stint abroad.
Q: How was their knowledge of Indian cinema?
A: The ratio of the western and Indian audience was equal. They quizzed us about the story, performances. It was great fun. Finally, Indian commercial escapist cinema, which faced so much cynicism and ridicule by Western evaluations is being acknowledged and appreciated. The kind of crowd that turned up, the mobbing and screaming in Toronto were far larger than anything we had seen. What can I say except, ‘Hello, this is Mumbai. Welcome to the Hindi film industry.’
Q: And now “Rang De Basanti” goes to the Oscars.
A: Yeah, this is great news. I’m happy for Rakeysh Mehra. It was a good concept, well executed, got a lot of acceptability within the country, almost became a cult film. You had youngsters emulating some of its good points. I think that’s fantastic.
Q: There’s a spate of remakes, a majority of them originally starring you.
A: It’s very complimentary to the films, not to me. It means people still identify with those films and think fondly of them. “Sholay”, “Don” or “Satte Pe Satta” are being remade not because I’m in them. But because people want to see the same stories again. “Don”, for example, is a fantastic script. Anyone would’ve succeeded with that. It could’ve starred anyone.
Q: Are you looking forward to seeing the new “Don”?
A: It’d be interesting to see how “Don” has shaped up. I see its promos and I am very excited by their slickness. I’m excited by how it’s going to turn out. I’m going to start “Sholay” in a week’s time. I’m fascinated by Ramu’s interpretation of the script.
Q: Are you in favour of remakes?
A: Why not? Why’s such a hullabaloo being made about remakes? It’s done all the time in the West. This is a free country, one can do what one wants, specially in the field of art. “Sholay” was a take on “The Magnificent Seven” which was a remake of “Seven Samurai”. A remake is a compliment to the original and truly a challenge to the ones who’re doing the remake. They’ve to prove there was room for a remake.
Q: But do we need them?
A: Sanjay Leela Bhansali made “Devdas”. It was the fourth take on the same story. And he got his due praise. So why are we so sceptical of remakes? It’s just a homage to the calibre of the earlier films.
Q: Yes but the remakes in Mumbai are almost all of your films.
A: Well…that’s fine. It doesn’t matter who’s in the film. We must make up our minds about what we want from our filmmakers. When they adapt Hollywood films they’re condemned. When they’re now remaking our own films they’re being questioned.
Q: Why not more original films like “Rang De Basanti”, “Khosla Ka Ghosla” and “Dor”?
A: Somewhere down the line these films may be made, who knows?
Q: You sound truly galvanized.
A: The development in technique and talent just bowls you over. I’m specially excited by the enormous bunch of new filmmakers and technicians. Ah! It’s a wonderful time to be in Hindi movies.
Q: Your birthday is round the corner?
A: Right now my thoughts are with my mother who’s in the hospital. I can’t think of celebrations now. No birthday.
Popularity: 8% [?]
Celebrity Interview: Anu Malik
Sep 24th
By IndiaFM News Bureau
The man is back with a vengeance. His Jaanemann is rocking the charts and so are his other albums including Jai Santoshi Maa and Zindaggi Rocks. We spoke to the busy music director Anu Malik whose next music release will be Umrao Jaan. The man seemed high on the success of his albums and is eagerly awaiting his forthcoming compositions.
The music of Jaan-e-mann has opened to great reviews and is already topping on the charts. How does it feel?
It feels great. One feels elated that something for which you worked really hard is recognized by people who love good music. I have got news that the music is on top of the charts. I feel good for myself and good for my producer Sajid who has always had faith in me right from the days of Judwaa and Har Dil Jo Pyar Karega and this film as well. Also for the fact that I did not let my director Shirish Kunder down because this is his first film. Another reason is that Salman Khan and I have always been good for each other. It’s an emotional feeling because I have been working really hard on my music for the past 2 years and when the results come out and give you not just an ‘A’ but an ‘A+’ it really feels good.
Tell us something about the music of Jaanemann.
The music of Jaanemann is not something that you would put in any genre like alternative music or hip-hop or jazz. According to me it is just plain great music. What is important for the listeners to understand is that the music director should understand the script of the film and give the music. The script of Jaaneman is very good. It is an emotional film and has a lot of new things to offer. After hearing the script I told Shirish that there should be great melodies that haven’t been heard from me so far. The song ‘Ajnabee Shaher Hai’ has caught the fancy of the audience. There is another emotional number ‘Sau Dard Hai’ and there is a very dancy number for Salman ‘Ud Jana’. There is also a marriage song as well. When you say marriage song you expect it to be a very typical marriage song but it is not. It is a very out of the box song. I was ably assisted by Gulzar saab. When you have someone like him things really take a turn for the better. So it’s melodic, not only in terms of mukhdas but also in terms of sound production, in terms of the way I have composed the antara, the way my singers have sung. It is one music that stays in your heart and you don’t want to let go of it. There are many ways to describe Jaanemann but I wouldn’t say that I have stuck to one genre. I believed that I must stick to the script. You have to move with the script and deviate from it. The results are mind-boggling and I think I have lived upto my director’s expectations.
I have come to know in all these years of my work that when you have a director who understands music it makes your task all the more easier. Shirish Kunder is one director who knew from day one what he wanted. He knew the situations by heart mainly for the reason that he wrote, directed and edited the film. He is very focused and doesn’t let go of his emotions. You don’t even know what he is thinking. There was a time when I used to record 15 tunes for him. He never reacted but just put it in his laptop and came back telling me what he liked and what he didn’t. He wasn’t the guy who goes like ‘wah wah kya gaana banaya’. I felt that he relates to a great melody and I grew to understand him once as time passed. He always said that he wanted a new sound. He said that he wants something that will be Anu Malik’s music but will be different at the same time. Therein lies the beauty of the director when he knows what he wants. He knows what melodies to take and what not to touch. I am very happy to work with Shirish and especially for his first film.
JP Dutta isn’t a guy who goes like ‘wah wah kya gaana banaya’ He said that he wants something that will be Anu Malik’s music but will be different at the same time.
How is it that you always come up with a chartbuster album for Sajid Nadiadwala?
I think it is a Karmic connection. Sajid and I have a beautiful understanding. He has a keen sense of music and we understand each other. We are there for each other and look out for each other.
Another filmmaker with whom you have never gone wrong is JP Dutta. Are you expecting another National award with Umrao Jaan?
For me J.P. Dutta is not just a producer or a director. For me he is more than family. If I look back in the situation I was in, the only person who stood by me was him. He backed me and believed in my music whether it was Border, Refugee or LOC. Umrao Jaan takes the cake as far as believing me is concerned. He said that he is planning Umrao Jaan and that I was the music composer. That really hit me. The earlier Umrao Jaan had some great melodies in the film and the time when he chose me was the time when people were rethinking about Anu Malik. Moreover Dutta never mentioned the earlier Umrao Jaan. He wanted it to be Anu Malik’s Umrao Jaan and the way I would want to compose it. I hope I come 5% closer to the earlier Umrao Jaan then I will be blessed.
From a contemporary, youthful composition in Jaanemann to a classical composition in Umrao Jaan, you have two extremely different genres of music releasing back to back. Do you think u can deliver the best in both worlds of music?
This proves that I can give all kinds of music. For example, people thought that Anu Malik was a man who could only compose a Judwa but they forgot that I also composed a Josh. There was a time when I was working on Virasat, Josh, Har Dil Jo Pyar Karega and Border at the same time. This time also I was composing for Jaaneman and doing Umrao Jaan as well as judging for Indian Idol 2. It did take the beating out of me but I also felt this was a test for a composer to prove that you are not just making a song which is to be played in clubs. The music has to become popular and take the film forward.
The music of Zindaggi Rocks has also released and is doing well for itself.
I would stress on the fact that Tanuja Chandra has a keen sense of music. I especially like the number Humko Choone Paas Aayiye and Lets Rock the Charts Baliye. There is another song which has not been mentioned but is a big hit called Ek Din Fursat Mein. Zindaggi Rocks music is absolutely justifying the word Rocks. Its meant to rock. But I didn’t want any music which was loud. I wanted a combo of rock sound and melody. So there is a perfect balance of rock and melody. The music is selling very well and the song Meri Dhoop Hai Tu is a hit. When you hear the music of Zindaggi Rocks you realize that the music grows on you. Also the movie is amazing and has been made very well. So the music gels with the film.
Jai Santoshi Maa is also on the charts. Don’t you think Anu Malik and a devotional album don’t go together?
I feel deeply honoured and lucky that I have been chosen to compose for Jai Santoshi Maa. There are numerous composers around so why me? As a kid I grew up listening the music of Jai Santoshi Maa and let me tell you something – I have seen the film and it is beautifully made. It was a challenge making the Aarti as the earlier Aarti was a huge hit. People who have heard my Aarti loved it. So I am very excited about the music of Jai Santoshi Maa and I see the blessings of Maa because this will be my first film to release followed by Jaanemann, Umrao Jaan and Woodstock Villa. So I have a lot of films coming up.
You are composing the background score for a film after a long time with Umrao Jaan? What convinced you to do that? Why had you stopped composing
I was always busy with composing music. I’m a guy who composes music but J.P Dutta insisted that I not only compose the music or arrange it or just record the songs. He wanted me to be totally committed to the project. When I was doing the third song I too felt that I should do the background song and so I also hinted a bit and J.P saab said that I must do the background music of Umrao Jaan. He said that he needs 100% commitment the way I gave him commitment when I was composing. I finished the background and I worked equally hard on it. There was a different tune for Abhishek and Aishwarya and the whole gamut of great actors in the film. So I am open to doing the background score for movies but you need the motivation and the time from some one like J.P saab.
So I am open to doing the background score for movies but you need the motivation and the time from some one like J.P saab.
Your daughter Anmol has sung for the film. Was it your idea? Does she plan to take singing or music as a full time profession in the future?
Anmol is not only a natural born talent but has also been learning music from a very young age. She loves learning and creating. She writes her own songs in English and leans more towards western music. Actually she is capable of speaking about herself more than me. J.P. Dutta heard her when we were in London. He kept that in mind and told me that he wanted her to sing for the young Aishwarya. I asked her if she would like to sing it and she was all game. She finished the song in 16-17 minutes. It is a very tough song for a young girl.
There are great singers around and you cannot compare and I am not saying this as a father, I’m speaking purely as a composer when I say this – she has a very pure tone – a tone that touches you. She has a lot of expressions and warmth in her voice and that is what I love. She sings with a lot of heart and feel. When Javed Akthar heard the song he burst into tears. He loved her voice as well as the composition. I think that is a great composition for my daughter and I hope with the blessings of the people watching and reading this interview that Anmol becomes a great singer one day and makes a bigger name than her father.
You have also composed music for some English films like Bride and Prejudice. How different is it as compared to composing for a Hindi film? Any more English projects on hands?
Well, it depends on director to director. Gurinder Chadha has her own style of digging out music. It was a wonderful experience working with Gurinder. It was something which was a learning and a humbling experience. Bride and Prejudice music had a different flavour. If you remember songs like No Life without Wife or the marriage song or the song Show me the way, take me to Love. Every song had a beautiful flavour to it. Apart from that film, my song Chamma Chamma was included in the Hollywood film Moulin Rouge starring Nicole Kidman. So these are great highs in my life and I really thank God for it.
Today you are undoubtedly one of the most prominent and prolific music composers of Bollywood. But not many might know that you had debuted in around 1980. Do you remember the first film that you composed for? My first songs lyrics went as ‘Zulmo Sitam Par Itranewale’ from the film Tu Bhi Toh Ek Din Mit Jayega. This was sung by Ashaji (Bhonsle). She was a great help and she was the one who motivated me in my early days. She agreed to sing and I was lucky because today she is huge and those days were her hey days. I’m blessed that she sang my song. Later on I went onto do the film Ek Jaan Hai Hum. Ashaji was in the film again. Then there was Dil Chahe Aasman Pe Likhdoon Naam Tera which was followed by Yatri which was a big hit and then came Soni Mahiwal.
Now it was a big thing then because I was just 18 or 19. There was Manmohan Desai’s film Mard starring Amitabh Bachchan. These are my landmark films. I then sang a song Julie Julie which became a huge hit as well. Others include Ganga Jamuna Saraswati and Toofan. And then things didn’t work out and I didn’t have any work. I would say my comeback vehicle was in the form of Mahesh Bhatt’s Phir Teri Kahani Yaad Aayi. This album too turned out to be a huge hit. Then again something went wrong and again I didn’t have much work. Then came Baazigar. The film became a huge hit and so did the music. I got my first Filmfare award and from then on again I had my highs and lows. Again the last two years things started going wrong for me again. New people came on the block and producers who I had given the best for ran away to something that was new. And it was a huge fight back for me this time that I had to give something unusual. Like they say good is not enough anymore especially when you have many players in the market. I worked my heart out and the result is there – Jaaneman became a huge hit. I would say that this is a huge innings start for Anu Malik. Jaaneman’s music has taken the world by storm. I have been getting calls from overseas and lots of messages as well. So this is a new beginning for Anu Malik starting with Jaanemann.
Your father Sardar Malik was a renowned music composer of his time. Did the music bug come into you through him?
Not only the fact that he was a composer but also had the fact that I was brought up in an atmosphere where music was always there. I inculcated the sense of melody from my father and that has stayed with me till today. My father always told me ‘Be Sureela’ and come out with a song that you can hum. The fact that he never made it was a hurting thing for me but also a motivating thing. I told him that when I grow up I will become big and the industry’s top producers will work with me. Apart from God and very few people like J.P. Dutta, I am a self made man with a little bit of success. Whatever bit of success I have gotten is through my own efforts.
My father just passed away last year after being sick for about a year before that. I was all alone in the last two years and there was a father-son sense in there. No one could understand the pain I was going through. I saw my father slowly die and instead of breaking me I took a vow that dad I won’t let go. Two things can happen to you – one you can break down and completely get lost. Two you can submerge out of it and become a stronger person. Like the saying goes – when the going gets tough the tough gets going. I really pulled up my socks and I knew this was it. This is what my father would want me to do. This is what he would expect me. When he was extremely sick he could sense the pain I was going through when things started going wrong professionally for me. He could sense it and always gave me the thumbs up sign. He would catch my hand and say don’t worry. I think that stays back with me and I have learnt my music from him. I have learnt how to be a stronger person and today when I have Jaanemann which is doing very well I’m sure he is around listening somewhere. He is not gone but he is hearing my music.
I told my father (Sardar Malik) that when I grow up I will become big and the industry’s top producers will work with me. You had been composing very good and popular tunes throughout the 80’s. Still you got your first film award very late in 1993 with Baazigar. Do you think the industry took a long time to give you your due recognition as a good music director? I don’t blame the industry. I think ‘bhagya’ (fate) is a very big thing. The industry has been kind to me. It has always been with me someway or the other. Look at it this way. Awards or no awards, the fact that producers signed me up right from the earlier days was a big thing. We go back to F.C. Mehra to Harmesh Malhotra to Mahesh Bhatt to the Venus family who gave me Baazigar to audio companies like Tips or T-Series. They were always there for me.
I think my producers and directors want me to give in my best. When they saw me not on my best they started running away and now they have started coming back. Awards came a bit late but they did come to me. I look at the positive side of life and don’t grumble. There are people who did great work and have been ignored. I got 3 Filmfare awards, 2 Screen awards and 1 National award for Border. I just thank God and say that I want to work and work harder.
Which musicians from the past have really inspired you? Who are your all-time favorite musicians?
The best thing about me is that I don’t live in the past. When I was a kid I was a fan of The Beatles and Elvis Presley. When I grew up I got inspired by Shankar-Jaikishen and then I fell in love with R.D. Burman’s music. As time passed I started hearing other people. I was really inspired by the movie ‘The Sound of Music’ and I really liked the music The Bee Gees created for John Travolta’s ‘Saturday Night Fever’. That was huge and in terms of melody and harmony you cannot define it. And now there are many groups from the west as well as over here. Music is something which you take and learn. I’m a great fan of Pandit Bhimsen Joshi. I listen to him in times of stress and I think he is fabulous.
I’m a great fan of Pandit Bhimsen Joshi. I listen to him in times of stress and I think he is fabulous.
Who from the current lot of music composers in Bollywood do you think is good at his work?
Let’s put it this way. When I entered the industry there were 5 composers. You can count the greats on your fingertips. Laxmikant-Pyarelal, R.D Burman, Kalyanji-Anandji to name a few! Today there are 50 thousand composers and I think each and every composer is doing a marvelous job. I can’t pinpoint and say this particular music director is my favourite.
Who are your favorite singers male and female?
On certain occasions it’s K.K, on certain occasions it’s Shaan and on certain occasions it Sonu Nigam. When they sing for my song at that time they become my favourites. I don’t play the favourites game. I do believe that when I record a song I want the song to be sung very well because it is my baby. I want it to be nurtured well
Popularity: 9% [?]
Celebrity Interview: Sushmita Sen
Sep 24th
By Arpana, Indo-Asian News Service
Mumbai, Sep 23 (IANS) Sushmita Sen is eagerly awaiting the release of her new film “Zindaggi Rocks”, a film she enjoyed shooting due to the predominantly all-women crew.
“‘Zindaggi Rocks’ is a rocking film with women at the helm of affairs. If Anurradha (Prasad) is the producer, Tanuja (Chandra) is the director and Moushumiji (Chatterjee) and I are the actors.
“In fact Moushumiji has played a double role for the first time in her career stretching almost three decades. I could learn a lot after observing her at work at close quarters,” Sushmita told IANS.
The actress goes into raptures over Tanuja Chandra’s directorial skills.
“Tanuja is one of our intelligent filmmakers who likes to project realism in her films even while maintaining the format and the idiom of commercial mainstream Hindi Cinema.
“What I like about Tanuja is the fact that she is a very obedient teacher who picks up the colloquial dialogues, which we tend to use in our day-to-day life. The comfort level I had as an actor was very evident when I worked with Tanuja in ‘Zindaggi Rocks’.”
The film, which is slated for a worldwide release Oct 6, is about the love story between a rock star Kria, played by Sushmita, and doctor Sooraj Rihan (Shiney Ahuja).
“Technically Tanuja is quite a progressive director and sets out to juxtapose between close ups as well as cuts. Her strength is to give you several layers when you perform even when the scene is a silent one.”
The actress also gives full marks to the producer for giving Tanuja a free hand to extract the best out of all the performers in “Zindaggi Rocks”.
“Anurradha is an experienced producer even though this is her first film as a producer because she has to her credit several quality TV serials.
Sushmita admits that she could identify herself with the character of Kria to a large extent. Kria, according to Sushmita, is loud, mad, pathologically friendly, a musical genius, an extremely popular singer and also a woman who does not take “no” for an answer.
“Zindaggi Rocks” can be described as a mature love story between Kria – a rock singer with the responsibility of bringing up her 12-year-old son, who is smarter than men twice his age – and doctor Sooraj Rihan.
Sushmita confesses that all that she did to get into the skin of her character was to question her director and follow her instructions besides, of course, using her natural instincts.
“Whenever I tended to go off the track, Tanuja used to bring me back to the nuances of the character of Kria. Kria isn’t just a rock-star because to her, being a rock star is just a way of life. Life is a celebration for her and the film has been narrated from the point of view of the doctor.”
Sushmita seems to have consolidated her position among women filmmakers in Bollywood. She has earlier worked with Meghna Gulzar in “Filhaal”, Farah Khan in “Main Hoon Na” and Kalpana Lajmi in “Chingaari”.
Popularity: 9% [?]
Celebrity Interview: Vidya Balan
Sep 24th
By Swati R. Chaudhary, Indo-Asian News Service
Mumbai, Sep 23 (IANS) From a sari clad woman in her debut vehicle “Parineeta” to a hip radio jockey in “Lage Raho Munna Bhai”, it has been quite a transition for Vidya Balan.
Vidya gives credit to her costume designer Sheena Parekh for her glamorous look in “Lage Raho Munna Bhai”, reports Bollywood Trade.
“I want to be able to portray different images. I want to be versatile and don’t want to restrict myself to any particular genre.
“Sheena asserted that I could look perfect in western clothes too. Personally, I am more comfortable in this look and I am very much like this in real life too.”
She bowled over her fans with her stunning performance as RJ Jhanvi in “Lage Raho..”
However, she says, she never expected “Parineeta”, which was directed by her mentor Pradeep Sarkar, to receive such an overwhelming response.
“I’m glad I got an opportunity to be a part of such a great film, that too at the very onset of my career. I hadn’t expected ‘Parineeta’ to be such a huge hit. I gave it my best shot and I’m grateful to god that it happened to me. (Laughs) And now to top it all, I have ‘Lage Raho…’.”
Vidya and Sarkar go back a long way.
“I’ve done around 90 ads out of which I did four to five with him. I’ve also done three music videos with him (Euphoria, Shubha Mudgal and Pankaj Udhas). He is truly my mentor and I really look up to him. He had faith in me and that reinforced my faith.”
“I respect him and we share this warmth and affection. I know if I ever need him, he’ll always be there.”
When asked about her co-stars Sanjay Dutt and Saif Ali Khan, she said: “I’m fortunate I started off with great actors like Sanjay and Saif. They are lovely human beings too. Saif prepares for his role and probably Sanjay doesn’t but both of them are very focused and extremely natural. Sanjay is versatile and effortless I feel. I’ve learnt a great deal from both of them.”
She talks more enthusiastically about Abhishek Bachchan with whom she is working in Mani Ratnam’s “Guru”.
“It was a lovely experience. Abhishek is a live wire and I had a blast shooting with him. We were laughing and pulling pranks on each other.”
Talking about Aishwarya, she said: “Aishwarya is by far the most dignified woman I’ve ever met in my life. She is humble to the core. I play a small but an important role in the film.”
Right now Vidya is working in Nikhil Advani’s “Salaam-e-Ishq”.
“It is not yet complete and will release in January. It is the story of six couples from different walks of life. Nikhil and his group are a bunch of young, energetic people. I had great fun shooting with them. I am paired opposite John Abraham. We were constantly laughing and teasing people. He is a great co-star. I guess this probably incited the vile rumours.”
So do they affect you?
“Not at all! There’s no truth in it. John and I just laughed about it. People who matter to me know the truth so I really don’t care. The day I’m seeing someone, I’ll happily announce it to the world.”
Apart from “Salaam-e-Ishq”, Vidya is working in “Eklavya”, “Hey Baby” and “Chandramukhi”.
“‘Eklavya’ is Mr. Amitabh Bachchan. I’m playing the female lead in the film. I’m paired opposite Saif Ali Khan. It’ll release some time in January.
“We haven’t started shooting for ‘Hey Baby’ so it’s too premature to talk about it right now. It also stars Akshay Kumar, Riteish Deshmukh and Fardeen Khan.
“As for ‘Chandramukhi’, I’m playing a normal girl and I have a classical number in the film.”
So far Vidya has played a sweet and loving girl but has no apprehension about accepting negative roles.
“If I’m convinced I’ll certainly do it. Moreover, I have not set any limitations or parameters. So, it’s not about positive or negative, I just want to play good characters onscreen.
“I am here to do good work. My agenda is to enjoy my work and go home feeling satisfied with my day’s work. Every role that I do should be someone else’s dream role.”
Popularity: 9% [?]