Archive for August, 2006
‘Guru’ the film set for December release
Aug 31st
Indo-Asian News Service
Mumbai, Aug 30 (IANS) Mani Ratnam’s much talked about “Guru”, starring Abhishek Bachchan and Aishwarya Rai, is scheduled to hit screens Dec 22.
The film will be seen as the grand finale for a year that churned out some of the biggest hits – “Rang De Basanti”, “Fanaa” and “Krrish” and also critically acclaimed “Omkara”.
“Guru” marks yet another leap in Abhishek’s career just like “Yuva” that catapulted him to the status of a “successful” actor, said sources that have seen the rushes of the film.
Some more screen scorchers will hit the marquee before “Guru”. The list includes Farhan Akhtar’s “Don”, J.P. Dutta’s “Umrao Jaan”, Shirish Kunder’s directorial debut “Jaaneman”, Sanjay Gadhvi’s “Dhoom 2″ and Vidhu Vinod Chopra’s “Eklavya”.
So it’s only fitting that the year ends with a film by none other than Mani Ratnam.
Popularity: 8% [?]
Vivendi backs free music downloads to challenge iTunes
Aug 31st
DPA:
Los Angeles, (DPA) Vivendi Universal, the world’s largest music company, is putting its muscle behind free downloads of music from the Internet.According to an announcement the company has reached agreement with New York-based startup Spiralfrog to make its music catalogue available on a free legal download service.
Under the agreement, Spiralfrog will offer Universal’s songs online in the US and Canada and make its money by carrying adverts on the site.
The plan, which is to go live in December, is the latest bid to challenge the popularity of the market-ruling Apple iTunes store, which currently charges 99 cents a download. The new service also hopes to entice users away from the illegal free file sharing sites.
“Offering young consumers an easy-to-use alternative to pirated music sites will be compelling,” Spiralfrog Chief Executive Robin Kent said Tuesday.
Kent, the former head of the Universal McCann advertising agency, said that youngsters would be willing to endure advertisements in exchange for free music as long as the brands and products were relevant to them.
According to the International Federation of Phonographic Industries (IFPI,) 60 million MP3 players were sold in 2005, while 420 million single tracks were downloaded, which together with the sale of ringtones brought in some $1.1 billion dollars.
–DPA
Popularity: 8% [?]
I hated acting when I started.. Priyanka
Aug 31st
One American fan calls her ’Officially the most beautiful woman now on Earth.’ Her tally of box-office triumphs is impressive, her list of filmmakers and co-stars getting better than it has been. Priyanka Chopra on her Bollywood journey.
Though people’s perceptions have changed, I as a person am the same. But as an actor, every film changes something for me. It’s always an uphill journey.
Aap Ki Khatir is your first film with Akshaye Khanna, but if you count your 36 China Town cameo, it is your second. How was he as a co-star?
Before I began working with Akshaye I was actually stressed about this, thanks to all the things that I had heard about him from others, because I like to have a pleasant working environment. But he’s so damn sweet! Off-screen, he’s a thorough gentleman. On-screen, he is such a good actor! In fact, I have always been his fan!
Which other actors are yopu a fan of?
Madhuri Dixit! Even if I am considered two per cent of her I will think of myself as hugely talented.I also love Shah Rukh Khan and Kajol. They obviously believe so much in what I too think — that is, they are not interested in just going on the sets and finishing their shots, but in living the roles and breathing life into the characters. They make the characters seem very real and yet infuse them with magic. I guess it’s about loving one’s work, which is what I admire and try and emulate about them.
How important is a co-star’s contribution for a good performance?
Of course, it is very important. If a co-star has stupid lines or speaks them stupidly and you are being shot in a close-up, you can never act well. If a co-star is not serious and involved, it can get very irritating. Especially if you are a serious actor and enjoy acting like I do. The good thing about this is that in my experience selfish actors never succeed. It is only those who get involved in the film’s totality that have successful careers.
Have you always enjoyed acting, or was there some point at which you began to love it?
I hated acting when I started out. And I am talking about films. I would do theatre when in school. But on the first shoot ever, I was told how I had to say my lines when I reached a certain mark on the floor and had to do it when looking in a particular direction. It was all very difficult. I went home and howled and told mom, “Yeh mujhse nahin hoga!”. She told me, “Okay, now that you have signed the film, finish it. Then you can go back to your college.” I was an engineering student then. Now, I cannot think of doing anything other than acting.
What’s with the cameos?
Oh, I did those for friends. 36 China Town was for Abbas-Mustan, the men whose work I have loved since Humraaz and also those responsible for giving me Aitraaz. Rohan Sippy is also a friend – I completely enjoyed working on Bluffmaster!
What’s your character like in Aap Ki Khatir?
I am this ’I know everything’ kind of girl in Aap Ki Khatir who is forever in an illusory world, and this is very unsettling when things go wrong. But unlike his past films, this is one film of Dharmesh Darshan that is light and frothy rather than dramatic and intense.
Once they reach a certain status, all female actors have this yen to do great, meaningful roles in middle-of-the-road, art or parallel films. Haven’t you been bitten by this bug?
(Sternly) I consider all my roles meaningful. I don’t think that only working in such films make one a good actor. You can give your best to any role and grow as an actor. I prefer to do films of the kind that I like to watch.
You have done solo leads and two-heroine films. What made you accept a six-hero-six-heroine subject like Salaam-E-Ishq?
Oh, it’s got such a wonderful script In terms of footage there may be less for every actor but that film has come out fabulously. Just watch it and you will know what I mean!
And Drona?
Well, I am hoping that I am on, because it’s a great subject! I would like to talk about this film only once it gets moving.
What else have you taken up?
Well, Don is complete and Love Story 2050 is taking off. There are one or two other projects lined up.
What is happening about the film you have done with Govinda?
Last heard, they were planning to release it with a new title. I really don’t know what’s happening. The best part is that it is not a typical Govinda film but an interesting romantic thriller.
So much has been said about your singing abilities – you even sang a line in Right here right now… in Bluffmaster!. Do you ever get involved in your music, like attending sittings or recordings? And do you make suggestions?
I do, whenever possible. I have a good ear for music though my singing is for others to judge! But what makes the song recording process interesting is watching how it evolves from its scratch version to the final product, and often sounds so completely different in its recorded version! The process of how a song is created and developed is completely fascinating.
You made news recently because of your being chosen to speak at theGlobal Leadership Forum in Malaysia. How was the experience?
It was fantastic! I was there right among all those heavyweight corporate heads from all countries! My topic was “Innovation Of The Competitive Edge”. Of course, I was a bundle of nerves before the actual moment but it went off really well. I felt amused that people there told me to take up a career in Public Speaking! So now I have an alternative career too! (Laughs)
What is your stand on the pesticides issue?
I am not very happy with the statistics being offered. I think that all MNCs are bound to be targeted anyway. Besides, the authorities should be more worried about many other things that affect the health of citizens far more than colas.
by: financialtimes.com/RAJIV VIJAYAKAR
Popularity: 8% [?]
Aishwarya Rai shocked Hrithik Roshan
Aug 31st
Hrithik Roshan discovered one thing about the gorgeous Aishwarya Rai during the shooting of Dhoom 2 – the sequel of Dhoom .
Hrithik told a newspaper recently that he was shocked to see the kind of intelligence that Ash puts in her character. “I was quite shocked to see the kind of intelligence she lends to her characters.”
“It was quite a task matching up to the world’s most beautiful face,” Hrithik added.
Hrithik is often described as a perfectionist but for ‘Dhoom 2’, he said that he had “loosened up this time and was quite chilled out.”
But while filming the action thriller, which also stars Abhishek Bachchan , Bipasha Basu and Uday Chopra , “slowly and steadily, Ash made me aware of the fact that I was having a bit too much fun with the role and should start taking it more seriously.”
In ‘Dhoom 2’, Hrithik and Ash are for the first time doing roles with shades of gray in their careers.
But Hrithik plans to go one up on Ash when they begin shooting next month for a period romance Jodha Akbar – a 16th century love story to be directed by Ashutosh Gowarikar .
“This time in ‘Jodha Akbar’ I will make sure that I take my character very seriously, and turn the tables on her so that she will be inspired by me, just as I was by her in ‘Dhoom2′,” Hrithik said.
‘Dhoom2′ is scheduled to release on November 24, 2006.
by: apunkachoice.com
Popularity: 8% [?]
SRK for Kohli
Aug 31st
As we had reported some time back, the three film deal between Kunal Kohli and Yash Raj Film concluded with the blockbuster Fanaa. But the relation between the premier production house and the director has only strengthened further. After the release of Fanaa, Aditya Chopra convinced Kunal Kohli to take the next step in filmmaking by becoming the producer and agreed to present his films under the Yash Raj banner.
He is still working on the script and even he does not know who he will approach till the script is ready. That should put the rumors to rest till the time he finishes his script. Till then, who will feature in Kohli’s next is anybody’s guess!
by: b4utv.com
Popularity: 8% [?]
Salman.. Never been kissed
Aug 31st
Call him super brat or call him the shirtless Khan, Salman Khan has been one of the most talked about star in the industry. He may have done a lot of things but believe it or not, Salman Khan has never kissed on-screen. And if rumors are to be believed, that is set to change.
Now, is he trying to maintain the surprise quotient or is he really stating the fact will be revealed only when the film releases this Diwali. Till then, Salman Khan’s fans can keep their hopes alive.
by: b4utv.com
Popularity: 8% [?]
Aishwarya Rai gets praise
Aug 31st
At the 58th Annual Emmy Awards, Kingsley was full of appreciation for Aishwarya’s beauty and talent when he spoke about the forthcoming movie ‘The Last Legion’ by filmmaker Doug Lefler.
Kingsley called Ash “an excellent and outstanding actress” and said her fans are “in for a big surprise” with her performance in ‘The Last Legion’.
Praising Aishwarya’s beauty, Kingsley told Sheeraz Hasan, founder of hollywood.tv: “She is a shining example of beauty from India and I’m sure we will be seeing her in more Hollywood movies real soon.”
In ‘The Last Legion’ Ash plays a warrior princess. She will be seen horse riding and sword fighting in the movie.
The film is set in 470 A.D. when the Roman Empire was crumbling and the last Roman emperor, the 12-year-old Romulus Augustus, escaped the rebels and set forth on a perilous trek to Britain with a small band of companions to track down his last legion.
Apart for Aishwarya and Kingsley, the film stars Colin Firth, Thomas Sangster, Peter Mullan, John Hannah and James Cosmo.
The movie has been shot in Tunisia and Slovakia.
Ben Kingsley is one of the most talented and respected actors in international cinema. He won an Oscar for his performance in Richard Attenborough’s movie ‘Gandhi’ in 1982. Not many people know that as a child Ben Kingsley was named Krishna Bhanji.
by: apunkachoice.com
Popularity: 8% [?]
Ghai on Emmy jury
Aug 31st
This is the second time that Ghai will be honored with this position. Ghai had been on the jury for last year’s Emmy as well.
He will be rubbing shoulders with television producers, directors, actors and studio executives from across the world. Emmy Awards recognize the best in international television production.
by: b4utv.com
Popularity: 8% [?]
Movie Preview: ‘Lage Raho Munna Bhai’
Aug 30th
Indo-Asian News Service
New Delhi, (IANS) The wait is over. The lovable duo of Sanjay Dutt and Arshad Warsi are back this Friday with the comic caper “Lage Raho Munna Bhai”, a sequel to their 2004 superhit “Munnabhai M.B.B.S.”.
If “Munnabhai M.B.B.S.” saw Munna creating an upheaval in a medical institution, part two will see him running around a radio station because this time he falls in love with a radio jockey played by Vidya Balan.
Director Rajkumar Hirani moves into the realm of the philosophical as well. Through the film, Hirani makes an attempt to prove that Gandhian philosophy continues to be relevant today.
The story goes something like this:
Munna (Sanjay Dutt) is a tough goon with a heart of gold. He confronts every situation with his unique streetwise attitude and humour. But even Munna’s successful ‘dadagiri’ methods are tested when love takes him for an unexpected historical tour.
Munna falls in love with the voice of popular radio jockey Jhanvi. Her effervescent “Good Morrrrning Mumbai” makes Munna’s heart skip many beats. While listening to her shows, he dreams of marrying her.
Jhanvi is also bowled over by Munna’s rustic charm. The only problem in this perfect love story is that Jahnvi mistakes Munna for a professor of history and invites him to give a lecture on history to her family. And that is where all the trouble starts.
Munna doesn’t know how to sort out this entanglement. His trusted buddy Circuit (Arshad Warsi) comes up with a bright solution. And then, the most unusual thing occurs in Munna’s life – he encounters a figure from history.
What happens when the present meets the past?
There is another problem in Munna’s life and his name is Lucky Singh (Boman Irani), a contractor hankering after money. But Lucky Singh’s daughter, Simran (Dia Mirza) challenges traditional ideas with her independent views and shows her father that there is more to life than money.
Produced by Vidhu Vinod Chopra, the film is expected to have a bumper opening.
Popularity: 8% [?]
Crowds go ballistic at Reshammiya’s music concert in US
Aug 29th
By Subhash K. Jha, Indo-Asian News Service
Mumbai, Aug 29 (IANS) Composer-singer Himesh Reshammiya’s first American tour, Aapka Suroor, is a resounding success and he is on cloud nine.
“Anything I say will seem like self-projection. You have to be here in the US to know what I’m experiencing. I can’t believe I connect so well with the crowds. This one-on-one with a live audience has been the best experience of my career so far,” Himesh told IANS from the US.
The first of the 18-city concerts in Atlanta was held on July 28 and it was an unqualified sell-out. Over 7,000 people attended the concert. And it’s been the same story everywhere.
In fact, it has surpassed the last successful Bollywood concert, Temptations, in Atlanta, which was attended by approximately 4,000 people.
Organiser Vijay Tarneja of Elite Entertainment, who last organised Temptations concert for Shah Rukh Khan, Saif Ali Khan, Preity Zinta, and Rani Mukerji, discloses that tickets for venues in New Jersey and Miami have already been sold out. Toronto, where Reshammiya and troupe are expected to perform later, wants an encore concert even before the first one has been held.
“I’ve been organising Bollywood concerts for 15 years. I’ve never before seen such mass hysteria at any Indian concert. We’ve started calling Reshammiya the Music God. He generates a collective frenzy that I’ve never seen before,” said Tarneja.
Tarneja puts Reshammiya’s Aapka Suroor Live concerts above the Temptations concerts in terms of audience participation. He sees this as a revival of fortune for Bollywood concerts abroad.
Zee TV’s “Hero Hondo Sa Re Ga Ma Pa” finalist Himani Kapoor, who accompanies Himesh on his US tour, is speechless.
“I’ve never imagined anything like this. For about two hours Himesh-ji just captured the audience. He sang all their favourites live, and they went mad. They jumped on the seats, danced in the aisles, clapped and whistled until the very end. Himesh-ji is India’s first true rock star.”
The man at the centre of the frenzy tries hard to be modest.
“This is my first direct connectivity with an American audience. Their response is far beyond anything I had imagined. I’m very proud of what I’ve achieved. But what really makes me proud is when people tell me I’ve revived the music industry and now, Bollywood concerts abroad.”
What do you think of Himesh’s music? Comment below!
Popularity: 8% [?]
Yash Chopra to film again in Australia
Aug 28th
Indo-Asian News Service
Sydney, (IANS) Yash Chopra, one of India’s most successful film producer-directors, will shoot his forthcoming film again in Australia.
Swish Black Cat Films, an Australian production house, will handle the entire production of “Chak de India” in Melbourne and Sydney, according to the Indian Post newspaper here.
Swish Black Cat Films had earlier carried out production of the Yash Raj film “Salaam Namaste” which incidentally was the first Indian film to be shot entirely in Australia.
“Salaam Namaste’s” success triggered an Aussie fever among Indian tourists, who swamped the capital of Victoria state after the film’s release.
“Chak de India” would have Shah Rukh Khan in the leading role and would be directed by Shmit Amin.
The Australian film production company expects the Indian contract to generate revenue of approximately $1.6 million and expects to attract a worldwide audience of 300 million, the paper said.
Popularity: 8% [?]
Movie Review: Aap Ki Khatir
Aug 28th
By Subhash K. Jha, Indo-Asian News ServiceFilm: “Aap Ki Khatir”; Starring Akshaye Khanna, Priyanka Chopra, Dino Morea, Ameesha Patel, Suniel Shetty, Anupam Kher, Lilette Dubey; Director: Dharmesh Darshan; Rating: *
Jane Austen comes to Lokhandwala in this strange, sporadically interesting take on the quirky ways of the heart.
The trouble is that old-fashioned raconteur Dharmesh Darshan doesn’t know which way to take his giddy plot – Austen’s austerely satirical territory or the brassy full-on hardcore drama that cyclically emanates from north Mumbai.
“Aap Ki Khatir” is like the joke that you want to smile at because your favourite aunt tells it with a lot of enthusiasm.
The film does fake the vivacity with much gusto. But at the end of one wedding, half a dozen songs and no funeral, you are left wondering…whose laugh is it anyway?
Everyone talks loudly, as though they just saw the unedited version of “My Big Fat Greek Wedding” …or is it a soul-less version of “Monsoon Wedding”? Darshan’s makeover attempt is distinctly derivative.
Countryside London (well photographed by W.B Rao at times) is populated by boisterous Punjabi and Gujarati characters who either speak too loudly or crack jokes.
At times Darshan overdoes his ambitions. He uses Brechtian direct-into-camera monologues by the characters, as though the masala needed to be garnished with moments of cerebrality.
To his credit, Akshaye Khanna says Sunil Munshi’s words with a lot of heartfelt emotions. He imbues his character of the charlatan from Lokhandawala who agrees to pose as Priyanka’s lover-boy in London, with plenty of perky humour. Alas, the script and direction don’t support Akshaye’s attempts to rise above the chronic silliness that colonises the inner world of the constantly festive characters.
You aren’t even sure whether these dancing-singing-eating-laughing characters have an inner life!
Suffering from ingrained shallowness, the characters from the parents played Anupam and Lilette to sisters Ameesha and Priyanka (with a strange cousin played by newcomer Bhoomika Singh to complete the Austenian ambience) seem very wooden when it comes to expressing themselves.
The ‘punjabiyat’ (Punjabi culture) that the narration stresses begins to get on your nerves in the second half. But yes, you do enjoy Raju Khan and Bosco-Caesar’s party-all-night swaying hips and other dance moves.
But the pointless prattle grows unbearable in the second-half when the celebrations stop short for bouts of Bergmanesque heart-to-hearts between sisters Ameesha and Priyanka.
Ameesha hams. Priyanka, careening between effervescence and wistfulness tries hard to look like she’s having fun.
Popularity: 8% [?]
Mukesh could have sung classical songs too: Lata Mangeshkar
Aug 28th
By Harish C. Menon, Indo-Asian News Service
Mumbai, Aug 27 (IANS) It is 30 years since he passed away, leaving a void in the music world of Bollywood. Yet, Mukesh’s mellifluous voice still casts a spell on listeners, emitting the fragrance of romance for some or drowning others in the depths of melancholy.
Mukesh Chand Mathur alias Zoravar Chand, who sang innumerable songs for legendary Bollywood showman Raj Kapoor, passed away Aug 27, 1976, following a cardiac arrest in Detroit, US, where he had gone for a concert.
Raj Kapoor is said to have remarked that “he had lost his soul” in Mukesh’s passing away – a testimony to the extremely popular combination of Raj-Mukesh-Shankar Jaikishen (music directors) that produced timeless classics for generations of Hindi film music connoisseurs.
Lata Mangeshkar, living legend of Bollywood playback singing and a close friend of Mukesh, cherishes the moments spent with her Mukesh ‘Bhaiyya’ (elder brother) even today.
“‘Jaane Kahan Gaye Woh Din’ (‘Mera Naam Joker’, 1970) remains my favourite song of Mukesh bhaiyya (brother),” Lata told IANS.
“The reason the song is my favourite is because it perfectly expresses my longing for the yesteryears where singing in films was a totally different thing from what it is today,” the 77-year-old Bharat Ratna awardee said.
“I first met him in 1947 and almost immediately struck a chord. He was much senior to me – both in age as well as profession – and yet he insisted on calling me ‘didi’ (elder sister),” Lata reminisced.
“There was no particular reason for this. Everyone one in my family used to call me didi. So he also took it up. But it’s amazing that he never addressed me as ‘Lata’ till the end,” she said.
Mukesh, who along with the versatile Mohammad Rafi and the rebellious Kishore Kumar was considered one among the finest and most popular playback singers of Bollywood, has sung some of the most melodious and evergreen duets with Lata.
The naughty “Dum Bhar Jo Udhar Munh Phere” (“Awara”, 1951), the romantic “Jaane Na Nazar” (“Aah”, 1953), the effervescent “Dil Tadap Tadap” (“Madumati”, 1958), the gloriously patriotic “Aa Ab Laut Laut Chalein” (“Jis Desh Mein Ganga Behti Hai”, 1960) are just a few of the examples one could quote.
Born on July 22, 1923, in Delhi, the “man with the golden voice” was first noticed by Motilal – a popular actor of his times and a distant relative of Mukesh – when he sang at his sister’s wedding.
In the beginning Mukesh was considered more an actor than a singer, thanks to his good looks. Soon he was seen in the 1941 flop “Nirdosh”.
He got his first break as a playback singer in “Pehli Nazar” (1945) in which he took people by surprise by almost imitating the legendary singer actor K.L. Saigal – who was in the throes of alcoholism by then – in “Dil Jalta Hai To Jalne De” – incidentally picturised on Motilal himself.
“Mukesh bhaiyya was as enamoured by Saigal-saab as we all were. But although he began his career singing in the Saigal style, he soon developed his own identity,” Lata noted.
“Mukesh bhaiyya was also proud of the fact that he had met Saigal- saab once. I know for a fact that he (Mukesh) even had for himself a harmonium used by Saigal-saab,” she said.
His voice characterised by a slight nasal tone, Mukesh was almost always considered for light and breezy songs, ranging from the happy- go-lucky “Awara Hoon” (“Awara”, 1951), the lovelorn “Yeh Mera Deewanapan Hai” (“Yehudi”, 1958) or the tramp-like “Kisi Ki Muskurahaton Pe Ho Nissar” (“Anari”, 1959) and “Mera Joota Hai Japani” (“Shri 420″, 1955).
However, when it came to more complex and classically-inclined songs like “Ae Bhai Zara Dekh Ke Chalo” (“Mera Naam Joker”, 1970) or a “Dil Ke Jharokhe Mein” (“Brahmachari”, 1968), Mohammed Rafi and Manna Dey were always the choice.
“The problem is that Mukesh bhaiyya was never tried for complex and classically oriented songs because of stereotyping. It is not that he did not have the capability,” Lata observed.
“Classical music-wise, the best trained was Manna-da, who was trained under his own uncle – the legendary K.C. Dey. Rafi-saab also was trained classically. But very few recognised Mukesh bhaiyya for his classical background,” she said.
“I cannot say with full authority. But I feel he (Mukesh) could have sung complex songs too if given a chance because I know he used to do regular riyaaz (practise) along with his son Nitin, under a teacher,” she noted.
Scores of singers, including son Nitin, tried their luck in the industry by adapting the Mukesh-style of singing but failed to make a mark.
“God blesses only a few with the original talent. The others will remain just that – copies. Mr. (Sudesh) Bhonsle succeed to a certain extent in carving a niche for himself, but that’s about it,” Lata said.
But for the purists and the connoisseurs today – confounded by a bewildering array of remixes of old classics – nothing less than the original refrains of Mukesh would do.
As Lata said, one can only remember Mukesh and recall his “Jane Kahan Gaye Woh Din” (Where have those days gone?).
Popularity: 8% [?]
‘Maine Gandhi Ko…’ likely to bag special movie award …
Aug 28th
By Subhash K. Jha, Indo-Asian News Service
Mumbai, Aug 27 (IANS) Though it’s not official yet, Jahnu Baruah’s highly acclaimed “Maine Gandhi Ko Nahin Mara” with Anupam Kher in a pivotal role has reportedly won the special jury National Award.
Anupam, who has also produced the film, is delighted.
“I haven’t had official intimation on the matter. But I’ve heard that my film has won the special award, which is very prestigious. It’s a delightful honour. I’m glad the film continues to make an impact a year after release.”
“Maine Gandhi…” is the story of a retired professor who suffers from frequent bouts of forgetfulness which gets worse and eventually he starts blaming himself for Mahatma Gandhi’s 1948 assassination.
Anupam is now looking forward to the release of “Khosla Ka Ghosla” next month.
“It’s a small but very significant film. And I hope it finds the audience it deserves.”
Anupam is happy for his wife Kirron, who is part of another new hit.
“Yes! She is in ‘Kabhi Alvida Naa Kehna’. And it is a success. I’m aware they call her the lucky mascot. They used to call me that. Chalo, it’s her now.”
About this week’s release “Aap Ki Khatir”, Anupam says: “Dharmesh Darshan will surprise you in ‘Aap Ki Khatir’. It takes him into a totally unexpected style.”
Popularity: 8% [?]
Will ‘Lage Raho Munnabhai’ the movie live-up to the hype?
Aug 28th
By Priyanka Khanna, Indo-Asian News Service
New Delhi, Aug 27 (IANS) The wait is finally over. The good-hearted goon — Munnabhai, who made us guffaw as well as ponder over ills ailing the practice of medicine — returns to the marquees Sep 1.
The first part, “Munnabhai M.B.B.S”, was released with no fanfare whatsoever in the winter of 2003. But it had gone on to become the sleeper blockbuster of the year in addition to setting higher standards for Indian cinema to follow. In fact, “Munnabhai M.B.B.S” has the unique distinction of being made into a Hollywood film by 20th Century Fox.
Actor Sanjay Dutt as Murli Prasad Sharma aka Munnabhai or Munna supported by Arshad Warsi as the inimitable Circuit will be seen again in “Lage Raho Munna Bhai”, a movie that is expected to witness a bumper opening.
The much-awaited new chapter in life of the much-loved Munna is attracting mounting enquiries for block bookings weeks before cinema halls open the window for advance booking.
News reports say the Fame multiplex in Andheri, Mumbai, has already got the first 13 shows houseful on account of bookings through Internet and Short Message Services (SMS).
Expectations from the film by the writer-producer-director team of Vidhu Vinod Chopra and Rajkumar Hirani are sky-high to say the least, according to all trade indicators.
Much like this year’s blockbuster — “Rang De Basanti” — the filmmakers are apparently trying to establish that the Father of the Nation and his ideals continue to have relevance in today’s time.
Once again Arshad is Munna’s trusted handyman who fixes everything for him, including his love life.
Among the changes, Boman Irani, who had entertained all as Dr. J. Asthana in the original, returns in a new avatar in part two. Ditto for Jimmy Shergill.
And Vidya Balan replaces Gracy Singh, who was Munna’s love interest in the original. Dia Mirza is the other new addition and Abhishek Bachchan is rumoured to have put in a special appearance as her screen husband.
In take two Munna falls in love with the voice of popular Radio Jockey Jhanvi, played by Vidya. Complications arise when Jhanvi mistakes our good-hearted goon for a professor of history and forces him to give a lecture to her family.
As Munna tries to sort out this ‘minor’ entanglement in his otherwise perfect life, Circuit comes up with a bright solution. And then, the most unusual thing occurs in Munna’s life including an interface with Gandhi.
Shantanu Moitra’s score for “Lage Raho Munna Bhai” is nothing to write home about. But it is very likely it picks up once its situation or scenario is more obvious, once the film hits the theatre.
Unlike the original in which the novel characterisations were the best part of the film, the sequel has to deal with the fact that it has little surprises to offer.
Meeting expectations from the film to entertain as much as the original including delivering a social message will be doubly difficult for the film. Here is the hope Munna gets it right second time around, especially, because talks are already underway for part three.
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Vidya Balan is being touted as the big surprise package in “Lage Raho Munna Bhai”. The newcomer, who made quite an impression in her debut Hindi film “Parineeta”, essays the role of a Radio Jockey – Jhanvi – in the sequel to “Munnabhai M.B.B.S”.
“The film is not just a comedy. It’s about life. It’s about a subject that everybody will connect to. There is a lot of substance,” Vidya was quoted as saying about the much-awaited comic caper.
A lot of energy flows through the film and that, she says, is because of the “energetic character of Raju Hirani”.
“Jahnvi is today’s girl and the clothes complement my looks,” said Vidya.
Having won almost all the best debutant awards for “Parineeta”, Vidya’s kitty is full. She has Vidhu Vinod Chopra’s “Eklavya”, Nikhil Advani’s “Salaam-e-Ishq”, Rajkumar Santoshi’s “Halla Bol” and Mani Ratnam’s “Guru” in hand.
Bengali cinema where she had made her silver screen debut sure must be missing her.
If “Lage Raho Munna Bhai” is even half the success that the original was, she will be on her way to clinch an enviable title of being commercially successful and critically acclaimed. Given that female actors have to wait decades before they can even remotely claim to be both, she sure has lady luck on her side.
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Trade reports predict that the average box-office returns for “Aap Ki Khatir” that released Friday has cleared the path for bumper opening for the next big release. The film starring Akshaye Khanna, Priyanka Chopra and Ameesha Patel is apparently a mish-mash of Hollywood fables.
The film is about a single woman who wants to make her ex-fiance jealous. It definitely draws from “The Wedding Date” starring Debra Messing, Dermot Mulroney with smatterings from “My Big Fat Greek Weeding”.
Director Dharmesh Darshan who re-packaged “Jab Jab Phool Khile” as “Raja Hindustani”, “Caravan” as “Mela” and “Gumraah” as “Bewafaa” has gone international this time in search of inspiration.
Akshaye, who is perhaps the most underrated actor in the industry, is the best part about the film. Here is man waiting for a role like “Munnabhai” to finally arrive. But then again, aren’t they all!
What do you think of “Lage Raho Munna Bhai” ? Will it be a hit? Comment below!
Popularity: 8% [?]
Bollywood legend Hrishikesh Mukherjee passes away …
Aug 28th
Indo-Asian News ServiceMumbai, (IANS) Hrishikesh Mukherjee, the Bollywood doyen who mesmerised millions with Hindi films like “Guddi”, “Anand” and “Chupke Chupke”, died here Sunday following renal failure and heart complications, his family said. He was 83.
For the recipient of the Dada Saheb Phalke Award, the end came at 4.40 p.m. at the Lilavati Hospital here. The immediate cause for the death was septicaemia and chest infection along with kidney failure, hospital officials said.
Born in Kolkata on Sep 30, 1922, Mukherjee, or Hrishida as he was popularly called, leaves behind three daughters and a son. His granddaughters Tapur and Tupur Chatterjee are well-known models.
Mukherjee’s funeral is likely to be held Monday or Tuesday on the return of his son from the US.
The man who adopted a cocktail of simplicity and warmth to tell some of the best family dramas Bollywood ever saw had been admitted to the intensive care unit of the Hospital with kidney failure and other ailments in early June.
He started his career as an assistant director to veteran Bimal Roy in 1951 and it took him six years to direct his first film “Musafir” (1957) with Dilip Kumar.
The film bombed at the box office but caught Raj Kapoor’s attention who recommended Mukherjee as the director for “Anari”. This film was a huge commercial success and there was no looking back for the director after that.
His common-man theme caught the audience’s fancy and his tragic – “Anand” – as well as light – “Chupke Chupke” – and tragicomic touch – “Mili” – made celluloid history.
Sadly, after “Khoobsoorat” his career saw a downslide despite brave attempts to salvage it with “Jhooth Bole Kauwa Kaatein” (1999), starring Anil Kapoor and Juhi Chawla.
Apart from filmmaking, he served as the chairman of National Film Development Corporation (NFDC).
His directorial ventures include “Sadma” (1983), “Khubsoorat” (1980), “Gol Maal” (1979), “Chupke Chupke” (1975), “Mili” (1975), “Namak Haraam” (1973), “Abhimaan” (1973), “Bawarchi” (1972), “Guddi” (1971), “Anand” (1970), “Anupama” (1966), “Anari” (1959) and “Musafir” (1957).
Also the writer of the screenplay for some of these films, he is known to have shaped the careers of several top actors, including Amitabh Bachchan, Rajesh Khanna, Dharmendra, Rekha, Jaya Bachchan and Amol Palekar.
Incidentally, he passed away on the 30th death anniversary of playback singer Mukesh who sang the famous song “Kahin door jab din dhal jaye’ in “Anand”, the film that made Mukherjee a living legend in his lifetime.
The touching message in “Anand” – that people die only to live on in the hearts of their near and dear ones – holds true for the film’s maker, too. Mukherjee is made immortal by the memories and the many moments of matinee magic he has left behind.
Popularity: 8% [?]
Celebrity Interview: Urmila Matondkar …
Aug 28th
By Subhash K. Jha, Indo-Asian News Service
Mumbai, Aug 28 (IANS) Dancing on screen super hit item number “Mehbooba…” from “Sholay” is going to be a challenge, says Urmila Matondkar, who pays a tribute to yesteryear dancing queen Helen in the remake of the 1970s blockbuster.
“It’s going to be exciting. ‘Mehbooba…’ is a song that I’ve danced to at parties and at discotheques. To do it on screen would be a challenging and groovy experience,” said Urmila.
She is contented with her films this year and looking forward to her forthcoming films – “Bas Ek Pal” and “Speed”. However, rumours about her relationship with director Ram Gopal Varma upset her.
“I think it’s high time a part of the media stop rushing for news where there’s none. At least a certain breed of makers and stars who have a mutual respect and who do productive work together should be exempted from gossipy scrutiny.”
Excerpts:
Q: There was a rumour that you will feature in Karan Johar’s “Kabhi Alvida Naa Kehna”?
Q: You are paying a tribute to Helen by doing her “Mehbooba…” item for Ram Gopal Varma’s “Sholay”.
A: It’s going to be exciting. “Mehbooba…” is a song that I’ve danced to at parties and at discotheques. To do it on screen would be a challenging and groovy experience. Just sharing screen space with Mr. Bachchan would be exciting.
Tributes such as this one, especially if you’ve been a movie buff all your life, are worthwhile. I remember I had a done a tribute to all the R.D. Burman tunes at a Sahara event and I was the only actress who was actually singing along the songs on stage, and dancing like the original actresses.
I’m the happiest when I’m dancing. In fact I’m a happy person by nature, something that a lot of people cannot digest. At this stage in my career, all the world cannot be a stage. I’ve to be very choosy in what I do.
Q: So what makes you a happy person?
A: I don’t know. But journalists like to see unhappy situations in stars’ lives. Sorry, I can’t oblige.
Q: Another year gone by. What do you feel about it?
A: It was an interesting year. It started with “Naina”, which took a thumping opening. That surprised people. “Naina” had no star except me.
But because of the bomb blasts in Delhi the same week “Jo Bole So Nihaal” and “Naina” got affected. People were too shaken up to come to the theatre. Then I had “Maine Gandhi Ko Nahin Mara” where I had people from all walks of life coming forward to praise me. I stuck my neck out to do this film.
As Shabana-ji said, it takes guts to do something where you’re constantly pushing the envelope. When I read the script I knew it was Anupam’s film, not mine. But I was impressed by the Gandhian theme and its relevance today. I learnt a lot from Anupam and director Jahnu Barua.
Q: How does the coming year look to you?
A: Equally fulfilling. There’s Harry Baweja-Vikram Bhatt’s thriller. It’s been titled “Speed”. There’s Onirban’s “Bas Ek Pal”. I’m with Sanjay Suri, Juhi Chawla and Rehaan Engineer. I like working with actors I haven’t worked with before.
I’ll also be doing a film with Ram Gopal Varma with a new director Taufeeq. All I can tell you is that it is a very intense subject. And I’m definitely doing it.
Q: It’s amazing how you haven’t allowed your professional relationship with Varma to suffer in spite of all the unsavoury speculation.
A: I really think it’s really time for all of us to take a mature view of working relationships in the film industry. Just because two individuals work closely and well it doesn’t mean their rapport should be subject to constant scrutiny.
Likewise, actors should not allow unsavoury talk to colour their professionalism. I’ve said innumerable times if there’s something worth doing together with Varma I’ve no problems doing it. We’ve done some brilliant work together in the past. And I’ve no intentions of lowering the bars for our collaboration.
And those who keep harping on why I’m not working with Varma, let me remind them even when they were harping on us not working together we did “Ek Hasina Thi”. It got me many best-actress nominations and did well enough at the box office although it was a song-less unconventional thriller.
I think it’s high time a part of the media stop rushing for news where there’s none. At least a certain breed of makers and stars, who have a mutual respect and who do productive work together, should be exempted from gossipy scrutiny.
I don’t want to trivialise our collaboration by constantly defending it. But our next movie will definitely be a step forward for the two of us. He is a fine filmmaker. It would be stupid on my part to stop working with him just because of all the nonsense that’s written. I treat all the idle gossip as a professional hazard.
Q: So what’s the most precious gift you’ve received in life?
A: The love that I got from my loved ones is way beyond anything I can describe. I don’t think my life would be worth living without their love.
Q: What about the one love that we’re all waiting to see in your life?
A: I’m waiting for it too. That will have to wait for the time being. Getting married is a little far off right now. How about falling in love first?
Q: How about marriage first love later?
A: For me that seems a little far-fetched. I never made plans for my career. I can’t make any plans for marriage. When it will happen, it will happen. I’ve always lived my life with fierce honesty. I guess that quality will be seen in my choice for a soulmate also.
Right now I’m comfortable in my space. I never peer anxiously at what others are doing. I think that’s for losers.
Popularity: 8% [?]
New frontier of NRI marriage mores …
Aug 28th
By Kul Bhushan
“Why are NRIs paying to see themselves as unfaithful spouses and sex crazy old men?” asks an irate Indian filmgoer from New York. Of course, it is a reference to the super hit ‘Kabhi Alvida Na Kahna’ or KANK. Karan Johar’s latest film has created a lot of buzz, both in India and abroad, and in the bargain netted an estimated $15 million worldwide since it opened a few weeks ago.
At least $5 million of this box office bonanza has come from NRIs queuing at the box office to see how Western values have influenced them. In its opening weekend, the film grossed a huge $1.35 million in North America, set a new record of $1.4 million in Britain, opening at no less than 60 theatres, and also collected $3.5 million in just three days in overseas markets.
So what’s new in a super hit to generate such buzz? The media is full of KANK: Indian newspapers carry long articles, TV channels screen talk shows, global news agencies have written about its impact in India and even many major Western newspapers have reviewed the movie. The urban elite in India flock to see it to gossip about it no end even while small towns and rural audiences have rejected it. Indeed some activists want it banned!
After watching KANK, a husband murdered his wife suspecting her of having an extra-martial affair near Delhi. In Thane, a suburb of Mumbai, a rickshaw driver stabbed and shot his wife because she did not allow him to marry another girl he loved. The wife is fighting for her life in hospital. That incident too happened after the couple had just finished watching KANK.
Why is KANK arousing all this passion?
The new twist is the father-in-law of the suffering wife. Sexy Sam, played by Amitabh Bachchan, causes ripples of laughter with his Playboy escapades as a great lover boy. So what’s new here? Plenty. For a start, most NRI first generation fathers now turning grandfathers are always presented as virtuous and pious hankering for the eternal family values of the Indian way of life.
This one lives it up with a new blonde every weekend and – instead of a prayer meeting – he wants scores of scantily clad sexy dames for his birthday bash. When he gets a heart attack he does not breathe his last
without blessing the new relationship of his daughter-in-law based on love and not marriage. Here we have a Casanova who is too much for the Indian film buffs to digest. He is sending a message – ‘Marriage is a mutual trap; if it’s not moving, move on!’ This is a radical departure for the Indian cinema.
If the marriage does not work, divorces are acceptable for NRIs – and indeed most educated Indians for that matter. In India, one out of every hundred marriages ends in divorce. The NRI divorce rate could be higher – or lower.
But is there parental approval for switching your life partners? Many draw the line here.
And what about the spouses who have discovered a new soul mate when their marriages come to a dead end? Open infidelity is the big talking point but is not an issue with the Indian trendsetters any more. Moreover, KANK pushes the envelope of sensuality in bedroom and motel scenes a la Hollywood sizzlers.
If anything, NRIs are more conservative in their moral values than the Indians back home. Public opinion polls in the media regularly show their radical thinking on teenage sex, pre-marital sex, live-in relationships, infidelity and single parenting, among other personal relationships.
In a TV chat show on this film, some participants claimed: “Everybody cheats”. Of course, the KANK situations are happening in India as well, especially with the educated urban elite. It’s just that Karan Johar overheard a couple’s conversation in a London cafe on these lines and staged his story in New York showing new frontiers for NRI marriage mores. If Indian and NRI sensibilities are hurt, they are paying for it.
(A media consultant to a UN Agency, Kul Bhushan previously worked abroad as a newspaper editor and has travelled to over 55 countries. He lives in New Delhi and can be contacted at: kulbhushan2038@gmail.com)
Popularity: 8% [?]
Mallika Sherawat passes out while kissing
Aug 28th
But it wasn’t the technique of co-star Rahul Bose that made her swoon – it was the working conditions.
Sherawat and Bose were shooting the scene for …side effects under water, said Choudhary.
“We didn’t realize the water was so cold,” he said. His remedy had its own side effects.
“Mallika started shivering, so we decided to give her some brandy. But the cold and brandy turned out to be a potent combination. And while shooting the kissing scene Mallika just passed out,” he said.
Sherawat shot to fame with her debut film Khwahish, which made headlines with a record 17 kissing scenes.
She has since won millions of fans and critics with a string of scantily clad appearances, including a role with Hong Kong action movie hero Jackie Chan.
-ASSOCIATED PRESS
Popularity: 8% [?]
Don may run into trouble
Aug 28th
Yes, if you have watched the promos of the film on the small screen then your guess is bang on target as reports say that ‘Don’ seems to have touched a wrong chord with Union Health Minister Anbumani Ramadoss, even before its release.
Last year Ramadoss had banned all smoking scenes in films and television and in the promos you can see SRK flinging a cigarette butt in the air and in another scene exhaling cigarette smoke on the face of the camera.
Reports are that Ramadoss is reportedly displeased with the fact that the lead character is allegedly glamourising smoking in the film.
Ramadoss’ contention, however, seems to be based solely on the promos of the film as he has not seen the movie as yet.
Producer Ritesh Sidhwani, defends ‘Don’ saying that no law had been violated and the promos of the movie had been cleared by the Censor Board before being aired.
Director Farhan Akhtar is also reportedly upset with what he calls ‘misinterpretation’ of the smoking scenes in the movie.
Sources say SRK’s character in the film was, in fact, against smoking and there is a dialogue in the movie which indicates that the actor denounces the act of smoking.
Reports say ‘Don’ went into production just after the health ministry had issued a notification banning smoking in films and the producers had taken enough care that the issue of smoking didn’t hamper the making of the film.
The remake of the Amitabh Bachchan starrer Don (1978) , ‘Don’ is scheduled for a Diwali/Eid release this year.
by: apunkachoice.com
Popularity: 8% [?]